See also:

• PAUL
• PAUL (PAULUS)

PAUL DE See also:

• PAUL DE VIGNE (1843-1901)

VIGNE (1843-1901)  , Belgian sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent . He was trained by his See also:

• FATHER

father, a statuary, and began by exhibiting his " Fra See also:

• ANGELICO, FRA (1387–1455)

Angelico da See also:

• FIESOLE (anc. Faesulae, q.v.)

Fiesole " at the Ghent See also:

• SALON

Salon in 1868 . In 1872 he exhibited at the See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels Salon a See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble statue, " See also:

• HELIOTROPE
• HELIOTROPE, or TURNSOLE

Heliotrope " (Ghent See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery), and in 1875, at Brussels, " Beatrix " and " Domenica." He was employed by the See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government to execute See also:

• CARYATIDES (Latinized from the Greek; the plural of Caryatis, i.e. a woman of Caryae in Laconia)

caryatides for the See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

conservatoire at Brussels . In 1876 at the See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp Salon he had busts of E . Hiel and W . See also:

• WILSON, ALEXANDER (1766-1813)
• WILSON, HENRY (1812–1875)
• WILSON, HORACE HAYMAN (1786–1860)
• WILSON, JAMES (1742—1798)
• WILSON, JAMES (1835— )
• WILSON, JAMES HARRISON (1837– )
• WILSON, JOHN (1627-1696)
• WILSON, JOHN (178 1854)
• WILSON, ROBERT (d. 1600)
• WILSON, SIR DANIEL (1816–1892)
• WILSON, SIR ROBERT THOMAS (1777—1849)
• WILSON, SIR WILLIAM JAMES ERASMUS
• WILSON, THOMAS (1663-1755)
• WILSON, THOMAS (c. 1525-1581)
• WILSON, WOODROW (1856— )

Wilson, which were afterwards placed in the communal museum at Brussels . Until 1882 he lived in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where he produced the marble statue " See also:

• IMMORTALITY (Lat. in-, not, mortalis, mortal, from mors, death)

Immortality " (Brussels Gallery), and " The Crowning of See also:

• ART

Art," a See also:

• BRONZE

bronze See also:

• GROUP

group on the See also:

• FACADE

facade of the Palais See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux-Arts at Brussels . His See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument to the popular heroes, See also:

• JEAN

Jean Breydel and See also:

• PIERRE

Pierre de Coninck, was unveiled at See also:

• BRUGES (Flemish Brugge, a name signifying the bridge or place of bridges)

Bruges in 1887 . At his See also:

• DEATH

death he See also:

• LEFT

left unfinished his See also:

• PRINCIPAL

principal See also:

• WORK

work, the Anspach monument, which was erected at Brussels under the direction of the architect Janlet with the co-operation of various sculptors . Among other notable See also:

• WORKS

works by De See also:

• VIGNE, PAUL DE (1843-1901)

Vigne may be mentioned " Volumnia " (1875); " Poverella " (1878); a bronze bust of " See also:

• PSYCHE (//vxi7)

Psyche " (Brussels Gallery), of which there is an See also:

• IVORY (Fr. ivoire, Lat. ebur)
• IVORY, SIR JAMES (1765-1842)

ivory replica; the marble statue of Marnix de Ste Aldegonde in the Square du Sablon, Brussels; the Metdepenningen monument in the See also:

• CEMETERY (Gr. Korrsnri7pwv, from Hoiµav, to sleep)

cemetery at Ghent; and the monument to See also:

• CANON

Canon de Haerne at Courtrai . See E . L .

Detage, See also:

• LES

Les Artistes Belges contemporains (Brussels), and O . G . Destree, The See also:

• RENAISSANCE, THE

Renaissance of See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

Sculpture in See also:

• BELGIUM
• BELGIUM (Fr. Belgique; Flem. Belgic)

Belgium (See also:

• LONDON

London, 1895) .