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See also: born at See also: Ghent
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He was trained by his See also: father, a statuary, and began by exhibiting his " Fra See also: Angelico da See also: Fiesole " at the Ghent See also: Salon in 1868
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In 1872 he exhibited at the Brussels Salon a marble statue, " See also: Heliotrope " (Ghent Gallery), and in 1875, at Brussels, " Beatrix " and " Domenica." He was employed by the See also: government to execute See also: caryatides for the conservatoire at Brussels
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In 1876 at the See also: Antwerp Salon he had busts of E
.
Hiel and W
.
See also: Wilson, which were afterwards placed in the communal museum at Brussels
.
Until 1882 he lived in
See also: Paris, where he produced the marble statue " Immortality " (Brussels Gallery), and " The Crowning of See also: Art," a See also: bronze See also: group on the See also: facade of the Palais See also: des See also: Beaux-Arts at Brussels
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His monument to the popular heroes, See also: Jean Breydel and See also: Pierre de Coninck, was unveiled at Bruges in 1887
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At his See also: death he See also: left unfinished his See also: principal See also: work, the Anspach monument, which was erected at Brussels under the direction of the architect Janlet with the co-operation of various sculptors
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Among other notable See also: works by De See also: Vigne may be mentioned " Volumnia " (1875); " Poverella " (1878); a bronze bust of " See also: Psyche " (Brussels Gallery), of which there is an ivory replica; the marble statue of Marnix de Ste Aldegonde in the Square du Sablon, Brussels; the Metdepenningen monument in the cemetery at Ghent; and the monument to See also: Canon de Haerne at Courtrai
.
See E
.
L
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Detage, See also: Les Artistes Belges contemporains (Brussels), and O
.
G
.
Destree, The See also: Renaissance of Sculpture in Belgium (See also: London, 1895)
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