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GIOVANNI VILLANI (c. 1245-1348)

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Originally appearing in Volume V28, Page 75 of the 1911 Encyclopedia Britannica.
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GIOVANNI See also:

VILLANI (c. 1245-1348)  , See also:Italian chronicler, was the son of Villano di Stoldo, and was See also:born at See also:Florence in the second See also:half of the 13th See also:century; the precise See also:year is unknown . He was of See also:good burgher extraction, and, following the traditions of his See also:family, applied himself to See also:commerce . During the See also:early years of the 14th century he travelled in See also:Italy, See also:France and the See also:Netherlands, seeing men and things with the sagacity alike of the See also:man of business and of the historian . Before leaving Florence, or rather in the See also:interval between one See also:journey and another, he had at least taken some See also:part in that troubled See also:period of See also:civil contentions which Dino Compagni has described and which swept See also:Dante Alighieri into banishment . In 1301 See also:Villani saw See also:Charles, See also:count of See also:Valois, ruining his See also:country under the false name of peacemaker, and was See also:witness of all the misery which immediately followed . Somewhat later he See also:left Italy, and in See also:September 1304 he visited See also:Flanders . It is not well ascertained when he returned to his native See also:city . He was certainly living there shortly after the See also:emperor See also:Henry VII. visited Italy in 1312, and probably he had been there for some See also:time before . While still continuing to occupy himself with commerce, he now began to take a prominent part in public affairs . In 1316 and 1317 he was one of the priors, and shared in the crafty See also:tactics whereby See also:Pisa and See also:Lucca were induced to conclude a See also:peace with Florence, to which they were previously averse . In 1317 he also had See also:charge of the See also:mint, and during his See also:administration of this See also:office he collected its earlier records and had a See also:register made of all the coins struck in Florence . In 1321 he was again chosen See also:prior; and, the Florentines having just then undertaken the rebuilding of the city walls, he and some other citizens were deputed to look after the See also:work .

They were afterwards accused of having diverted the public See also:

money to private ends, but Villani clearly established his innocence . He was next sent with the See also:army against Castruccio Castracani, See also:lord of Lucca, and was See also:present at its defeat at Altopascio . In 1328 a terrible See also:famine visited many provinces of Italy, including See also:Tuscany, and Villani was appointed to guard Florence fromthe worst effects of that distressing period . He has left a See also:record of what was done in a See also:chapter of his See also:Chronicle, which shows the economic See also:wisdom in which the See also:medieval Florentines were often so greatly in advance of their See also:age . In 1339, some time after the See also:death of Castruccio, some See also:rich Florentine merchants, and among them Villani, treated for the acquisition of Lucca by Florence for 8o,000 florins, offering to See also:supply the larger part of that sum out of their own private means; but the negotiations See also:fell through, owing to the discords and jealousies then existing in the See also:government (Chron. x . 143) . The following year Villani superintended the making of See also:Andrea See also:Pisano's See also:bronze doors for the See also:baptistery . In the same year he watched over the raising of the campanile of the Badia, erected by See also:Cardinal Giovanni See also:Orsini (Chron. x . 177) . In 1341 the acquisition of Lucca was again under treaty, this time with Martino della Scala, for 250,00G florins . Villani was sent with others as a See also:hostage to See also:Ferrara, where he remained for some months . He was present in Florence during the unhappy period that elapsed between the entry of See also:Walter of Brienne, See also:duke of See also:Athens, and his See also:expulsion by the Florentines (1342-43) .

Involved through no See also:

fault of his own in the failure of the commercial See also:company of the Bonaccorsi, which in its turn had been See also:drawn into the failure of the company of the Bardi, Villani, towards the end of his See also:life, suffered much privation and for some time was kept in See also:prison . In 1348 he fell a victim to the See also:plague described by See also:Boccaccio . The See also:idea of See also:writing the Chronicle was suggested to Villani under the following circumstances: " In the year of See also:Christ 1300 See also:Pope See also:Boniface VIII. made in See also:honour of Christ's nativity a See also:special and See also:great See also:indulgence . And I, finding myself in that blessed See also:pilgrim-age in the See also:holy city of See also:Rome, seeing her great and' See also:ancient remains, and See also:reading the histories and great deeds of the See also:Romans as written by See also:Virgil, See also:Sallust, See also:Lucan, See also:Livy, See also:Valerius, See also:Paulus See also:Orosius and other masters of See also:history who wrote the exploits and deeds, both great and small, of the Romans and also of strangers, in the whole See also:world . considering that our city of Florence, the daughter and offspring of Rome, is on the increase and destined to do great things, as Rome is in her decline, it appeared to me fitting to set down in this See also:volume and new chronicle all the facts and beginnings of the city of Florence, in as far as it has been possible to me to collect and discover them, and to follow the doings of the Florentines at length . . . and so in the year 1300, on my return from Rome, I began to compile this See also:book, in honour of See also:God and of the blessed See also:John, and in praise of our city of Florence." Villani's work, written in Italian, makes its See also:appearance, so to speak, unexpectedly in the See also:historical literature of Italy, just as the history of Florence, the moment it emerges from the humble and uncertain origin assigned to it by See also:legend, rises suddenly into a rich and powerful life of thought and See also:action . Nothing but scanty and partly legendary records had preceded Villani's work, which rests in part on. them . The Gesta Florentinorum of Sanzanome, starting from these vague origins, begins to be more definite about 1125, at the time of the See also:union of See also:Fiesole with Florence . The Chronica de Origine Civitatis seems to be a compilation, made by various hands and at various times, in which the different legends regarding the city's origin have been gradually collected . The Annales Florentini Primi (1110-1173) and the Annales Florentini Secundi (1107-1247), together with a See also:list of the consuls and podestas from 1197 to I267, and another chronicle, formerly attributed, but apparently with-out good See also:reason, to Brunetto See also:Latini, See also:complete the See also:series of ancient Florentine records . To these must, however, be added a certain quantity of facts which were to be found in various See also:manuscripts, being used and quoted by the older Florentine and Tuscan writers under the See also:general name of Gesta Florentinorum . Another work, formerly reckoned among the See also:sources of Villani, is the Chronicle of the Malespini; but See also:grave doubts are now entertained as to its authenticity, and many hold that at best it is merely a remodel-See also:ling, posterior to Villani's time, of old records from which several chroniclers may have drawn, either without citing them at all or only doing so in a vague manner . The HZstorie Florentine, or Cronica universale, of Villani begins with Biblical times and comes down to 1348 .

Phoenix-squares

The universality of the narrative, especially in the times near Villani's own, while it bears witness to the author's extensive travels and to the comprehensiveness of his mind, makes one also feel that the book was inspired within the walls of the universal city . Whereas Dino Compagni's Chronicle is confined within definite limits of time and See also:

place, this of Villani is a general chronicle extending over the whole of See also:Europe . Dino Compagni feels and lives in the facts of his history; Villani looks at them and relates them calmly and fairly, with a serenity which makes him seem an outsider, even when he is mixed up in them . While very important for Italian history in the 14th century, this work is the cornerstone of the early medieval history of Florence . Of contemporary events Villani has a very exact knowledge . Having been a sharer in the public affairs and in the intellectual and economic life of his native city, at a time when in both it had no See also:rival in Europe, he depicts what he saw with the vividness natural to a clear mind accustomed to business and to the observation of mankind . He was See also:Guelph, but without See also:passion; and his book is much more taken up with an inquiry into what is useful and true than with party considerations . He is really a chronicler, not an historian, and has but little method in his narrative, often See also:reporting the things which occurred See also:long ago just as he heard them and without See also:criticism . Every now and then he falls into some inaccuracy; but such defects as he has are largely compensated for by his valuable qualities . He was for half a century eyewitness of his history, and he provides abundant See also:information on the constitution of Florence, its customs, See also:industries, See also:coin;nerce and arts; and among the chroniclers throughout Europe he is perhaps unequalled for the value of the statistical data he has precrved . As a writer Villani is clear and acute; and, though his See also:prose has not the force and colouring of Compagni's, it has the See also:advantage of greater simplicity, so that, taking his work as a whole, he may be regarded as the greatest chronicler who has written in Italian . The many difficulties connected with the publication of this important See also:text have hitherto prevented the preparation of a perfect edition .

However, the Chronicle has been printed by L . A . See also:

Muratori in tome xiii. of the Rerum Italicarum Scriptores (See also:Milan, 1728), and has been edited by I . Moutier and F . G . Dragornanni (Plorence, 1844) . Among other See also:editions is one published at See also:Trieste in 1857 and another at See also:Turin in 1879 . Selections have been translated into See also:English by R . E . Selfe (1896) . Villani's Chronicle was continued by two other members of his family . (I) MATTEO VILLANI, his See also:brother, of whom nothing is known See also:save that he was twice married and that he died of the plague in 1363, continued it down to the year of his death .

Matteo's work, though inferior to Giovanni's, is nevertheless very valuable . A more prolix writer than his brother and a less acute observer, Matteo is well informed in his facts, and for the years of which he writes is one of the most, important sources of Italian history . (2) Fii.trro VILLANI, the son of Matteo, flourished in the end of the 14th and the beginning of the 15th century . In his continuation which goes down to 1364, though showing greater See also:

literary ability, he is very inferior as an historian to his predecessors . His most valuable work was a collection of lives of illustrious Florentines . Twice, in 1401 and 1404, he was chosen to explain in public the Diving Commedia . The year of his death is unknown . See Y . See also:Scheffer-Boichorst, Florentiner Studien (See also:Leipzig, 1874) ; G . See also:Gervinus, Geschichte der Florentinen Historiographie " in his Historische Schriften (1833); U . Balzani, Le cronache Italiane nel See also:media evo (Milan, 1884); A . Gaspary, Geschithte der italienischen Literatur (See also:Berlin, 1885); O .

Knoll, Beitrdge zur italienischen Historiographie See also:

im 14 . Jahrhundert (See also:Gottingen 1876), and O . Hartwig, " G . Villani and See also:die Leggenda di Messer Gianni di See also:Procida " in See also:Band See also:xxv. of H. von See also:Sybel's Historische Zeitschrift . (U .

End of Article: GIOVANNI VILLANI (c. 1245-1348)
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