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See also: ADAM, PHILIPPE AUGUSTE MATHIAS, COMTE DE 0838-1889), French poet, was See also: born at St Brieuc in See also: Brittany and baptized on the 28th of See also: November 1838
.
He may be said to have inaugurated the Symbolist See also: movement in French literature, and Axel, the See also: play on which be was engaged during so much of his See also: life, though it was only published after his See also: death, is the typical Symbolist drama
.
He began with a See also: volume of Premieres Poesies (1856-58)
.
This wasfollowed by a See also: wild See also: romance of the supernatural, See also: Isis (1862), and by two plays in See also: prose, Ele"n (,866) and Morgane (1866)
.
La Revolte, a play in which See also: Ibsen's See also: Doll's See also: House seems to be anticipated, was represented at the See also: Vaudeville in 1870; Conies cruels, his finest volume of See also: short stories, in 1883, and a new series in 1889; Le Nouveau Monde, a drama in five acts, in 188o; L'E've future, an amazing piece of buffoonery satirizing the pretensions of science, in 1886; Tribulat Bonhomet in 1887; Le Secret de l'echafaud in 1888; Axel in 1890
.
He died in See also: Paris, under the care of the Freres See also: Saint-See also: Jean-de-Dieu, on the ,9th of See also: August 1889
.
See also: Villiers has See also: left behind him a See also: legend probably not more fantastic than the truth
.
Sharing many of the opinions of See also: Don Quixote, he shared also Don 'Quixote's life
.
He was the descendant of a See also: Grand Master of the Knights of See also: Malta, famous in See also: history, and his See also: pride as an aristocrat and as an idealist were equal
.
He hated mediocrity, science, progress, the See also: present age, See also: money and " serious " See also: people
.
In one division of his See also: work he attacked all the things which he hated with a savage irony; in another division of his work he discovered at least some glimpses of the ideal See also: world
.
He remains a remarkable poet and a remarkable satirist, imperfect as both
.
He improvised out of an abundant See also: genius, but the greater See also: part of his work was no more than improvisation
.
He was accustomed to talk his stories before he wrote them
.
Sometimes he talked them instead of writing them
.
But he has left, at all events, the Conies cruels, in which may be found every classic quality of the French See also: conte, together with many of the qualities of Edgar Allan See also: Poe and See also: Ernst Hoffman; and the drama of Axel, in which the stage takes a new splendour and a new subtlety of meaning
.
Villiers's influence on the younger French writers was considerable
.
It was always an exaltation
.
No one in his See also: time followed a See also: literary ideal more romantically
.
(A
.
Sv.)
See also R. du Pontavice de Heussey, Villiers de l'Isle-Adam (1893), a biography, See also: English trans
.
(1904) by Lady Mary Loyd; S
.
Mallarme, See also: Les Miens
.
Villiers de 1 Isle-Adam (1892) ; R
.
Martineau, Un vivant et deux molls (1901), bibliography . A selection from his stories, Histoires souveraines, was made by his See also: friends (Brussels, 1899)
.
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