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ABBE DE CLAUDE HENRI DE FUZEE VOISENO...

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Originally appearing in Volume V28, Page 178 of the 1911 Encyclopedia Britannica.
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ABBE DE See also:CLAUDE See also:HENRI DE FUZEE See also:VOISENON (1708—75)  , See also:French dramatist and See also:man of letters, was See also:born at the chateauof See also:Voisenon near See also:Melun, on the 3th of See also:July 1708 . At the See also:age of ten he addressed an See also:epistle in See also:verse to See also:Voltaire, who asked the boy to visit him . From this introduction dated a friendship that lasted for fifty years . Voisenon made his debut as a dramatist with L'Heureuse ressemblance in 1728, followed in 1739 by a three-See also:act See also:comedy L'Ecole du monde at the See also:Theatre frangais . This was preceded by a verse See also:prologue, L'See also:Ombre de See also:Moliere, and a See also:month later Voisenon produced a See also:criticism on his own piece in Le Retour de l'ombre de Moliere . A See also:duel in which he was the aggressor inspired him with remorse, and he entered the priesthood, becoming See also:vicar-See also:general to the See also:bishop of See also:Boulogne . He received the See also:abbey of Jard, which made no demands on him . He became closely attached to Madame du See also:Chatelet, the See also:mistress of Voltaire (q.v.), and was intimate with the See also:comte de See also:Caylus and Mademoiselle See also:Quinault Dufresne . He made witty but by no means edifying contributions to the Etrennes de See also:Saint-See also:Jean, the Bads de Bois, &c . In 1744 he produced the Mariages assortis and in 1746 his masterpiece, the Coquette fixee . He lived on terms of the closest intimacy with See also:Charles See also:Simon See also:Favart and his wife . His See also:pen was always at the service of any of his See also:friends, and it was generally supposed, though on insufficient grounds, that he had a considerable See also:share in Favart's most successful operas .

Voisenon had, See also:

strange to say, scruples all his See also:life about the incongruity between his way of living and his profession, but he continued to write indecent stories for private circulation, and wrote verses in See also:honour of Madame du See also:Barry, as he had done for Madame de See also:Pompadour . He was elected to the See also:Academy in 1762 . On the disgrace of his See also:patron, the duc de See also:Choiseul, he lost his See also:pensions and honours, but soon recovered his position . He was intimate with the See also:chancellor See also:Maupeou, and was suspected of See also:writing on his behalf in See also:defence of the abolition of the See also:parlement . This and some other incidents brought him into general disgrace . See also:Early in 1775 he retired to the See also:chateau de Voisenon, where he died on the 22nd of See also:November of the same See also:year . His cEuvres completes were published by his executrix, Madame. de See also:Turpin, in 1781 . VOI'f URE, See also:VINCENT (1598-1648), French poet, was the son of a See also:rich See also:merchant of See also:Amiens . He was introduced by a school-See also:fellow, the comte d'Avaux, to Gaston d'See also:Orleans, and accompanied him to See also:Brussels and See also:Lorraine on See also:diplomatic See also:missions . Although a follower of Gaston, he won the favour of See also:Richelieu, and was one of the earliest academicians . He also received appointments and pensions from See also:Louis XIII. and See also:Anne of See also:Austria . He published nothing in See also:book See also:form, but his verses and his See also:prose letters were the delight of the coteries, and were copied, handed about and admired mote perhaps than the See also:work of any contemporary .

He had been early introduced to the Hotel de See also:

Rambouillet, where he was the especial friend of Julie d'Angennes, who called him her " See also:dwarf See also:king." His ingenuity in providing amusement for the younger members of the circle ensured his popularity, which was never seriously threatened except by See also:Antoine Godeau, and this rivalry ceased when Richelieu appointed Godeau bishop of See also:Grasse . When at the See also:desire of the duc de See also:Montausier nineteen poets contributed to the.Guirlande de Julie, which was to decide the much-feted Julie in favour of his suit, Voiture refused to take See also:part . The See also:quarrel between the Uranistes and the Jobelins arose over the respective merits of a See also:sonnet of Voiture addressed to a certain Uranie, and of another composed by See also:Isaac de .See also:Benserade, till then unknown, on the subject of See also:Job . Another famous piece of his of the same See also:kind, La Belle Matineuse, is less exquisite, but still very admirable, and Voiture stands in the highest See also:rank of writers of vers de societe . His prose letters are full of lively wit, and, in some cases, as in the See also:letter on Richelieu's policy (Letter LXXIV.), show considerable See also:political penetration . He ranks with Jean de See also:Balzac as the See also:chief director of the reform in French prose which accompanied that of See also:Malherbe in French verse . Voiture died at the outbreak of the See also:Fronde, which killed the society to which he was accustomed, on the 26th of May 1648 . ' See A . Roux, cEuvres de M. de Voiture (See also:Paris, 1856) ; and C . A . Sainte-Beuve, Causeries du lundi, vol. xii .

End of Article: ABBE DE CLAUDE HENRI DE FUZEE VOISENON (1708—75)
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