See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

ROBERT See also:

• WALKER, FRANCIS AMASA (1840-1897)
• WALKER, FREDERICK (184o--1875)
• WALKER, GEORGE (c. 1618-169o)
• WALKER, HENRY OLIVER (1843— )
• WALKER, HORATIO (1858– )
• WALKER, JOHN (1732—1807)
• WALKER, OBADIAH (1616-1699)
• ROBERT WALKER (d. c. 1658)
• WALKER, ROBERT JAMES (1801-1869)
• WALKER, SEARS COOK (1805—1853)
• WALKER, THOMAS (1784—1836)
• WALKER, WILLIAM (1824-1860)

WALKER (d. c. 1658)  , See also:

• BRITISH

British painter, ,was a contemporary and to a slight extent a follower of See also:

• VAN

Van Dyck . The date of his See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth is uncertain, and no details are known of his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• LIFE

life . Although influenced by Van Dyck's See also:

• ART

art, he had still a considerable degree of individuality and See also:

• DEVELOPED

developed a See also:

• SOUND
• SOUND, THE (Danish Oresund)

sound See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of his own which was more severe and restrained than that of the greater See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master . His greatest See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue was at the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of the See also:

• COMMONWEALTH

Commonwealth, for in addition to several portraits of See also:

• CROMWELL, HENRY (1628-1674)
• CROMWELL, OLIVER (1599-1658)
• CROMWELL, RICHARD (1626–1712)
• CROMWELL, THOMAS, EARL OF

Cromwell he painted other portraits of See also:

• LAMBERT [alias NICHOLSON], JOHN (d. 1538)
• LAMBERT, DANIEL (1770-1809)
• LAMBERT, FRANCIS (c 1486-153o)
• LAMBERT, JOHANN HEINRICH (1728–1777)
• LAMBERT, JOHN (1619-1694)

Lambert, See also:

• IRETON, HENRY (161I–1651)

Ireton, See also:

• FLEETWOOD
• FLEETWOOD, CHARLES (d. 1692)
• FLEETWOOD, WILLIAM (1656-1723)

Fleetwood, and many more members of the Parliamentarian party . In 1652 he was given rooms in See also:

• ARUNDEL
• ARUNDEL, EARLDOM OF
• ARUNDEL, EARLS OF
• ARUNDEL, THOMAS (1353-1414)

Arundel See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House in the Strand, See also:

• LONDON

London, where he resided for the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of his life . He died either in 1658 or in 165o, the authority for the earlier date being an inscription on an engraved portrait by Lombart . His See also:

• WORK

work had much merit; it was vigorous and showed sound study of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . Several of his paintings, among them the portrait of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• FAITHORNE, WILLIAM (1626 or 1627-1691)

Faithorne the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder, are in the See also:

• NATIONAL

National Portrait See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, and there are others of notable importance at See also:

• HAMPTON
• HAMPTON, WADE (1818-1902)

Hampton See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court and in the University Galleries at See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford . One of his portraits of Cromwell is in the Pitti See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace, where it is ascribed to See also:

• LELY, SIR PETER (1617—168o)

Lely; it was bought in the artist's lifetime, but after the See also:

• PROTECTOR

Protector's See also:

• DEATH

death, by the See also:

• GRAND

grand See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

Ferdinand II. of See also:

• TUSCANY
• TUSCANY (Toscana)

Tuscany . Another is at See also:

• WARWICK
• WARWICK, EARLS OF
• WARWICK, RICHARD BEAUCHAMP, EARL OF (1382—1439)
• WARWICK, RICHARD NEVILLE, EARL OF (1428—1471)
• WARWICK, SIR PHILIP (1609-1683)
• WARWICK, SIR ROBERT RICH, 2ND EARL OF (1587–1658)

Warwick See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

Castle . See also:

• WALKER, FRANCIS AMASA (1840-1897)
• WALKER, FREDERICK (184o--1875)
• WALKER, GEORGE (c. 1618-169o)
• WALKER, HENRY OLIVER (1843— )
• WALKER, HORATIO (1858– )
• WALKER, JOHN (1732—1807)
• WALKER, OBADIAH (1616-1699)
• WALKER, ROBERT (d. c. 1658)
• WALKER, ROBERT JAMES (1801-1869)
• WALKER, SEARS COOK (1805—1853)
• WALKER, THOMAS (1784—1836)
• WALKER, WILLIAM (1824-1860)

Walker painted also See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert Cromwell and his wife See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth Steward, parents of the Protector . The portrait of the latter, attended by a See also:

• PAGE
• PAGE, THOMAS NELSON (1853- )
• PAGE, WILLIAM (1811-1885)

page who is fastening his See also:

• SASH

sash at the See also:

• WAIST

waist (now in the National Portrait Gallery, transferred from the British Museum, to which it was bequeathed by See also:

• SIR

Sir Robert See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

Rich, See also:

• BART, JEAN (1651-1702)

Bart., descendant of Cromwell's friend, Nathaniel Rich) was called by See also:

• WALPOLE, HORATIO
• WALPOLE, SIR SPENCER (1839-1907)

Walpole " Cromwell and Lambert "; but it is now certain that the page represents Cromwell's son See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard .

Elizabeth Cromwell, afterwards Mrs Claypole, the Protector's daughter, also sat to him . As no See also:

• COMPLETE

complete See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of Walker's work is in existence (that of Walpole being very incomplete, while See also:

• CUNNINGHAM, ALEXANDER (c.1655-173o)
• CUNNINGHAM, ALLAN (1784-1842)
• CUNNINGHAM, WILLIAM (1805-1861)

Cunningham passes him over entirely), it may be added that the artist twice painted See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• EVELYN, JOHN (1620-1706)

Evelyn, in different sizes, as well as See also:

• BRADSHAW, GEORGE (1801–1853)
• BRADSHAW, HENRY (1831—1886)
• BRADSHAW, HENRY (c. 1450–1513)
• BRADSHAW, JOHN (i6o2-1659)

Bradshaw, John See also:

• HAMPDEN, HENRY BOUVERIE WILLIAM BRAND, 1ST
• HAMPDEN, JOHN (c. 1595-1643)
• HAMPDEN, RENN DICKSON (1793-1868)

Hampden, See also:

• COLONEL (derived either from Lat. column, Fr. colonne, column, or Lat. corona, a crown)

Colonel See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• SANDERS, DANIEL (1819-1896)
• SANDERS, NICHOLAS (c. 1530-1581)

Sanders, See also:

• CORNET,

Cornet Joyce, and See also:

• SPEAKER

Speaker See also:

• LENTHALL, WILLIAM (1591-1662)

Lenthall, as well as Sir William and See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• WALLER, EDMUND (1606-1687)
• WALLER, LEWIS (186o- )
• WALLER, SIR WILLIAM (c. 1597-1668)

Waller, Mrs Thomas See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

Knight, and See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• MONK (O.Eng. munuc; this with the Teutonic forms, e.g. Du. monnik, Ger. Witch, and the Romanic, e.g. Fr. moine, Ital. monacho and Span. monje, are from the Lat. monachus, adaptedfrom Gr. µovaXos, one living alone, a solitary; Own, alone)
• MONK (or MONCK), GEORGE
• MONK, JAMES HENRY (1784-1856)
• MONK, MARIA (c. 1817—1850)

Monk, duke of See also:

• ALBEMARLE, EARLS AND DUKES OF

Albemarle, and Sir Thomas See also:

• FAIRFAX, EDWARD (c. 1580-1635)

Fairfax (engraved by Faithorne) . A portrait of Secretary See also:

• THURLOW, EDWARD THURLOW, 1ST BARON (1731-1806)

Thurlow, which was in the See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord Northwick Collection, was attributed to him . As Walker was in the See also:

• CAMP (from Lat. campus, field)

camp of the Parliamentarians and See also:

• DOBSON, HENRY AUSTIN (184o- )
• DOBSON, WILLIAM (16ro-1646)

Dobson was the court painter at Oxford, few aristocratic persons sat to the former . Exceptions are See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary See also:

• CAPEL (OF HADHAM), ARTHUR CAPEL, BARON (fl. 164o-1649)

Capel, duchess of See also:

• BEAUFORT
• BEAUFORT, FRANCOIS DE VENDOME
• BEAUFORT, HENRY (c. 1377–1447)
• BEAUFORT, LOUIS DE (d. 1795)

Beaufort (engraved by J . Nutting), See also:

• AUBREY, JOHN (1626-1697)

Aubrey, last See also:

• EARL

earl of Oxford, and See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• GRAHAM, SIR GERALD (1831–1899)
• GRAHAM, SIR JAMES ROBERT GEORGE
• GRAHAM, SYLVESTER (1794-1851)
• GRAHAM, THOMAS (1805-1869)

Graham, See also:

• MARQUESS (1760-1842)
• MARQUESS, or MARQUIS (Fr. marquis, Ital. marchese; from med. Lat. marchio, marchisus, i.e. comes marchiae, " count of the March ")

marquess of See also:

• MONTROSE
• MONTROSE, JAMES GRAHAM, MARQUESS OF (1612—1650)
• MONTROSE, MARQUESSES AND DUKES OF

Montrose; even a portrait of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles I. in See also:

• ARMOUR, PHILIP DANFORTH (1832-1901)

armour, with his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand on his See also:

• HELMET (from an obsolete diminutive of O. Fr. helme, mod. heaume; the English word is " helm," as in O. Eng., Dutch and Ger.; all are from the Teutonic base hal-, pre-Teut. kal-, to cover; cf. Lat. celare, to hide, Eng. " hell," &c.)

helmet, is credited to Walker . Two versions, of a like See also:

• SIZE

size, of his own portrait exist, one at the National Portrait Gallery and the other at Oxford, engraved by See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter Lombart, and again, later, by T . Chambars . The Cromwell in the Scottish National Portrait Gallery is a copy . Walker's copy of See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian's famous " See also:

• VENUS

Venus at her See also:

• TOILET

Toilet," highly esteemed by Charles I., is considered a work of See also:

• GREAT

great merit .