See also:ROBERT See also:- WALKER, FRANCIS AMASA (1840-1897)
- WALKER, FREDERICK (184o--1875)
- WALKER, GEORGE (c. 1618-169o)
- WALKER, HENRY OLIVER (1843— )
- WALKER, HORATIO (1858– )
- WALKER, JOHN (1732—1807)
- WALKER, OBADIAH (1616-1699)
- ROBERT WALKER (d. c. 1658)
- WALKER, ROBERT JAMES (1801-1869)
- WALKER, SEARS COOK (1805—1853)
- WALKER, THOMAS (1784—1836)
- WALKER, WILLIAM (1824-1860)
WALKER (d. c. 1658)
, See also:British painter, ,was a contemporary and to a slight extent a follower of See also:Van Dyck
.
The date of his See also:birth is uncertain, and no details are known of his See also:early See also:life
.
Although influenced by Van Dyck's See also:art, he had still a considerable degree of individuality and See also:developed a See also:sound See also:style of his own which was more severe and restrained than that of the greater See also:master
.
His greatest See also:vogue was at the See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time of the See also:Commonwealth, for in addition to several portraits of See also:Cromwell he painted other portraits of See also:Lambert, See also:Ireton, See also:Fleetwood, and many more members of the Parliamentarian party
.
In 1652 he was given rooms in See also:Arundel See also:House in the Strand, See also:London, where he resided for the See also:rest of his life
.
He died either in 1658 or in 165o, the authority for the earlier date being an inscription on an engraved portrait by Lombart
.
His See also:work had much merit; it was vigorous and showed sound study of See also:character
.
Several of his paintings, among them the portrait of See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William See also:Faithorne the See also:elder, are in the See also:National Portrait See also:Gallery, and there are others of notable importance at See also:Hampton See also:Court and in the University Galleries at See also:- OXFORD
- OXFORD, EARLS OF
- OXFORD, EDWARD DE VERE, 17TH EARL
- OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
- OXFORD, PROVISIONS OF
- OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
- OXFORD, ROBERT HARLEY, 1ST
Oxford
.
One of his portraits of Cromwell is in the Pitti See also:Palace, where it is ascribed to See also:Lely; it was bought in the artist's lifetime, but after the See also:Protector's See also:death, by the See also:grand See also:duke See also:Ferdinand II. of See also:Tuscany
.
Another is at See also:Warwick See also:Castle
.
See also:- WALKER, FRANCIS AMASA (1840-1897)
- WALKER, FREDERICK (184o--1875)
- WALKER, GEORGE (c. 1618-169o)
- WALKER, HENRY OLIVER (1843— )
- WALKER, HORATIO (1858– )
- WALKER, JOHN (1732—1807)
- WALKER, OBADIAH (1616-1699)
- WALKER, ROBERT (d. c. 1658)
- WALKER, ROBERT JAMES (1801-1869)
- WALKER, SEARS COOK (1805—1853)
- WALKER, THOMAS (1784—1836)
- WALKER, WILLIAM (1824-1860)
Walker painted also See also:Robert Cromwell and his wife See also:Elizabeth Steward, parents of the Protector
.
The portrait of the latter, attended by a See also:page who is fastening his See also:sash at the See also:waist (now in the National Portrait Gallery, transferred from the British Museum, to which it was bequeathed by See also:Sir Robert See also:Rich, See also:Bart., descendant of Cromwell's friend, Nathaniel Rich) was called by See also:Walpole " Cromwell and Lambert "; but it is now certain that the page represents Cromwell's son See also:Richard
.
Elizabeth Cromwell, afterwards Mrs Claypole, the Protector's daughter, also sat to him
.
As no See also:complete See also:account of Walker's work is in existence (that of Walpole being very incomplete, while See also:Cunningham passes him over entirely), it may be added that the artist twice painted See also:John See also:Evelyn, in different sizes, as well as See also:Bradshaw, John See also:Hampden, See also:Colonel See also:- THOMAS
- THOMAS (c. 1654-1720)
- THOMAS (d. 110o)
- THOMAS, ARTHUR GORING (1850-1892)
- THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
- THOMAS, GEORGE (c. 1756-1802)
- THOMAS, GEORGE HENRY (1816-187o)
- THOMAS, ISAIAH (1749-1831)
- THOMAS, PIERRE (1634-1698)
- THOMAS, SIDNEY GILCHRIST (1850-1885)
- THOMAS, ST
- THOMAS, THEODORE (1835-1905)
- THOMAS, WILLIAM (d. 1554)
Thomas See also:Sanders, See also:Cornet Joyce, and See also:Speaker See also:Lenthall, as well as Sir William and See also:Lady See also:Waller, Mrs Thomas See also:Knight, and See also:General See also:George See also:- MONK (O.Eng. munuc; this with the Teutonic forms, e.g. Du. monnik, Ger. Witch, and the Romanic, e.g. Fr. moine, Ital. monacho and Span. monje, are from the Lat. monachus, adaptedfrom Gr. µovaXos, one living alone, a solitary; Own, alone)
- MONK (or MONCK), GEORGE
- MONK, JAMES HENRY (1784-1856)
- MONK, MARIA (c. 1817—1850)
Monk, duke of See also:Albemarle, and Sir Thomas See also:Fairfax (engraved by Faithorne)
.
A portrait of Secretary See also:Thurlow, which was in the See also:Lord Northwick Collection, was attributed to him
.
As Walker was in the See also:camp of the Parliamentarians and See also:Dobson was the court painter at Oxford, few aristocratic persons sat to the former
.
Exceptions are See also:Mary See also:Capel, duchess of See also:Beaufort (engraved by J
.
Nutting), See also:Aubrey, last See also:earl of Oxford, and See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James See also:Graham, See also:marquess of See also:Montrose; even a portrait of See also:Charles I. in See also:armour, with his See also:hand on his See also:helmet, is credited to Walker
.
Two versions, of a like See also:size, of his own portrait exist, one at the National Portrait Gallery and the other at Oxford, engraved by See also:- PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
Peter Lombart, and again, later, by T
.
Chambars
.
The Cromwell in the Scottish National Portrait Gallery is a copy
.
Walker's copy of See also:Titian's famous " See also:Venus at her See also:Toilet," highly esteemed by Charles I., is considered a work of See also:great merit
.
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