See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

JAMES See also:

• WARD
• WARD, ADOLPHUS WILLIAM (1837- )
• WARD, ARTEMUS
• WARD, EDWARD MATTHEW (1816-1879)
• WARD, ELIZABETH STUART PHELPS (1844-1911)
• JAMES WARD (1769--1859)
• WARD, JAMES (1843– )
• WARD, JOHN QUINCY ADAMS (1830-1910)
• WARD, LESTER FRANK (1841– )
• WARD, MARY AUGUSTA [MRS HUMPHRY WARD]
• WARD, WILLIAM (1766-1826)
• WARD, WILLIAM GEORGE (1812-1882)

WARD (1769--1859)  , See also:

• ENGLISH

English See also:

• ANIMAL
• ANIMAL (Lat. animalis, from anima, breath, soul)

animal painter and engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• THAMES

Thames See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, See also:

• LONDON

London, on the 23rd of See also:

• OCTOBER

October 1769 . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of twelve he was See also:

• BOUND, or BOUNDARY (from O. Fr. bonde, Med. Lat. bodena or butina, a frontier line)

bound apprentice with J . See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

Smith, but he received little See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention and learnt nothing from this engraver . He was afterwards instructed for over seven years by his See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder See also:

• BROTHER

brother, See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• WARD
• WARD, ADOLPHUS WILLIAM (1837- )
• WARD, ARTEMUS
• WARD, EDWARD MATTHEW (1816-1879)
• WARD, ELIZABETH STUART PHELPS (1844-1911)
• WARD, JAMES (1769--1859)
• WARD, JAMES (1843– )
• WARD, JOHN QUINCY ADAMS (1830-1910)
• WARD, LESTER FRANK (1841– )
• WARD, MARY AUGUSTA [MRS HUMPHRY WARD]
• WARD, WILLIAM (1766-1826)
• WARD, WILLIAM GEORGE (1812-1882)

Ward, and he engraved many admirable plates, among which his " Mrs See also:

• BILLINGTON, ELIZABETH (1768?–1818)

Billington," after See also:

• REYNOLDS, JOHN FULTON (182o-1863)
• REYNOLDS, SIR JOSHUA (1723-1792)
• REYNOLDS, WALTER (d. 1327)

Reynolds, occupies a very high See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place . He presented a See also:

• COMPLETE

complete set of his engravings, in their various states, numbering three See also:

• HUNDRED

hundred impressions, to the See also:

• BRITISH

British Museum . While still a youth he made the acquaintance of See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• MORLAND, GEORGE (1763-1804)

Morland, who afterwards married his See also:

• SISTER

sister; and the example of this artist's See also:

• WORKS

works induced him to See also:

• ATTEMPT (Lat. adtemptare, attentare, to try)

attempt See also:

• PAINTING

painting . His See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early productions were rustic subjects in the manner of Morland, which were frequently sold as the See also:

• WORK

work of the more celebrated painter . His " See also:

• BULL
• BULL, GEORGE (1634–1710)
• BULL, JOHN (c. 1562–1628)
• BULL, OLE BORNEMANN (18ro-188o)

Bull-Bait," an animated See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition, introducing many figures, attracted much attention in the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of 1797 . A See also:

• COMMISSION (from Lat. commissio, committere)

commission from See also:

• SIR

Sir See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• SINCLAIR
• SINCLAIR, SIR JOHN, BART

Sinclair, See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of the new agricultural society, to paint an See also:

• ALDERNEY (Fr. Aurigny)

Alderney cow, led to much similar work, and turned Ward's attention to animal-painting, a See also:

• DEPARTMENT (Fr. departement, from departir, to separate into parts)

department in which he achieved his highest See also:

• ARTISTIC

artistic successes . His " Landscape with See also:

• CATTLE (Norman Fr. catel, from Late Lat. capitale, wealth or property, a word applied in the feudal system to movable property and particularly to live stock, and surviving in its wider meaning as " chattel " or " chattle ")

Cattle," acquired for the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery at a cost of (1500, was painted in 182o–1822 at the See also:

• SUGGESTION

suggestion of See also:

• WEST
• WEST, BENJAMIN (1738-1820)
• WEST, NICHOLAS (1461-1533)

West, in emulation of the " Bull of See also:

• PAUL
• PAUL (PAULUS)

Paul See also:

• POTTER, ALONZO (1800-1865)
• POTTER, HENRY CODMAN (1835–1908)
• POTTER, J
• POTTER, JOHN (c. 1674-1747)
• POTTER, PAUL (1625—1654)
• POTTER, PHILIP CIPRIANI HAMBLEY (1792—1871)

Potter " at the See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague . His " See also:

• BOA

Boa See also:

• SERPENT (Lat. serpens, creeping, from serpere; cf. "reptile " from repere, Gr.4 ml-eta)

Serpent Seizing a See also:

• HORSE (a word common to Teutonic languages in such forms as hors, hros, ros; cf. the Ger. ross)

Horse " was executed in 1822, and his admirable " See also:

• GREY, CHARLES GREY, 2ND EARL (1764-1845)
• GREY, HENRY GREY, 3RD EARL (1802-1894)
• GREY, LADY JANE (1537-1554)
• GREY, SIR EDWARD
• GREY, SIR GEORGE (1812–1898)

Grey Horse," shown in the Old Masters' See also:

• EXHIBITION

Exhibition of 1879, See also:

• DATES

dates from 1828 . Ward also produced portraits, and many landscapes like the " Gordale Scar " and the " See also:

• HARLECH (perhaps for Hardd lech, fair slate, or Harleigh, an Anglicized variant)

Harlech See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

Castle " in the National Gallery .

Sometimes he turned aside into the less fruitful paths of See also:

• ALLEGORY (iXXos, other, and ayopeuav, to speak)

allegory, as in his unsuccessful " See also:

• POOL

Pool of See also:

• BETHESDA
• BETHESDA (i.e. " House of Mercy," John v. 2)

Bethesda " (1818), and " See also:

• TRIUMPH (triumphus)

Triumph of the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke of See also:

• WELLINGTON
• WELLINGTON, ARTHUR WELLESLEY, 1ST DUKE OF (1769-1852)

Wellington " (1818) . He was a frequent contributor to the Royal Academy and the British Institution, and in 184.1 he collected one hundred and See also:

• FORTY

forty examples of his See also:

• ART

art, and exhibited them in his See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house in See also:

• NEWMAN, FRANCIS WILLIAM (1805-1897)
• NEWMAN, JOHN HENRY (1801-1890)

Newman Street . He was elected an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal Academy in 1807, and a full member in 1811, and died at See also:

• CHESHUNT

Cheshunt on the 23rd of See also:

• NOVEMBER (Lat. novem, nine)

November 1859 . Ward compiled an autobiography, of which an abstract was published in the Art See also:

• JOURNAL
• JOURNAL (through Fr. from late Lat. diurnalis, daily)

Journal in ;849 .