See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

FREDERICK See also:

• WATTS, ALARIC ALEXANDER (1797-1864)
• GEORGE FREDERICK WATTS (1817-1904)
• WATTS, ISAAC (1674-1748)

WATTS (1817-1904)  , See also:

• ENGLISH

English painter and sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 23rd of See also:

• FEBRUARY

February 1817 . While hardly more than a boy he was permitted to enter the See also:

• SCHOOLS

schools of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy; but his attendance was See also:

• SHORT, FRANCIS JOB (1857– )

short-lived, and his further See also:

• ART

art See also:

• EDUCATION

education was confined to See also:

• PERSONAL

personal experiment and endeavour, guided and corrected by a See also:

• CONSTANT, BENJAMIN (1845-1902)

constant See also:

• APPEAL

appeal to the See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard of See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture . There are portraits of himself, painted in 1834; of Mr See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James Weale, about 1835; of his See also:

• FATHER

father, " Little See also:

• MISS

Miss See also:

• HOPKINS, EDWARD WASHBURN (1857— )
• HOPKINS, ESEK (1718-18oz)
• HOPKINS, MARK (1802—1887)
• HOPKINS, SAMUEL (1721–1803)
• HOPKINS, WILLIAM (1793–1866)

Hopkins," and Mr See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard See also:

• JARVIS, JOHN WESLEY (178o-1840)

Jarvis, painted in 1836; and in 1837 he was already far enough advanced to be an exhibitor at the Academy with a picture of " The Wounded See also:

• HERON (Fr. heron; Ital. aghirone, airone; Lat. ardea; Gr. ipw&bs: A.-S. hragra; Icelandic, hegre; Swed. hager; Dan. heire; Ger. Heiger, Reiher, Heergans; Dutch, reiger)

Heron " and two portraits . His first exhibited figure-subject, " Cavaliers," appeared on the Academy walls in 1839, and was followed in 1840 by " See also:

• ISABELLA (1451-15o4)
• ISABELLA, ISABEAU

Isabella e Lorenzo," in 1841 by " How should I your true love know ? " and in 1842 by a See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene from Cymbeline and a portrait of Mrs Ionides . The Royal See also:

• COMMISSION (from Lat. commissio, committere)

Commission appointed for the decoration of the new Houses of See also:

• PARLIAMENT (Anglo-Lat. parliamentum, Fr. parlement, from parler, to speak)

Parliament offered prizes in 1842 to those artists whose cartoons for frescoes should be adjudged best adapted to its See also:

• OBJECT

object, and at the See also:

• EXHIBITION

exhibition in See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall next See also:

• YEAR

year See also:

• WATTS, ALARIC ALEXANDER (1797-1864)
• WATTS, GEORGE FREDERICK (1817-1904)
• WATTS, ISAAC (1674-1748)

Watts secured a See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize of £300 for a See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design of " See also:

• CARACTACUS

Caractacus ledin See also:

• TRIUMPH (triumphus)

triumph through the streets of See also:

• ROME
• ROME (Roma)

Rome." This enabled him to visit See also:

• ITALY
• ITALY (Italia)

Italy in 1844, and he remained there during the greater portion of the three following years, for the most See also:

• PART

part in See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, where he enjoyed the patronage and personal friendship of See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland, the See also:

• BRITISH

British See also:

• AMBASSADOR (also EMBASSADOR, the form sometimes still used in America; from the Fr. ambassadeur, with which compare Ital. ambasciatore and Span. embajador, all variants of the Med. Lat. ambassiator, ambassiator, ambasator, &c., derived from Med. Lat. amba

ambassador . For him he painted a portrait of See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady Holland, exhibited in 1848, and in his See also:

• VILLA

Villa Careggi, near the See also:

• CITY (through Fr. cite, from Lat. civitas)

city, a See also:

• FRESCO (Ital. for cool, " fresh ")

fresco, after making some experimental studies in that See also:

• MEDIUM

medium, fragments of which are now in the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Museum . To Lord Holland's encouragement, also, it was chiefly due that in 1846 the artist took part in another competition, the third organized by the Royal Commissioners, who on this occasion announced a further See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of prizes for See also:

• WORKS

works in oil . Watts sent in a See also:

• CARTOON (Ital. cartone, pasteboard)

cartoon depicting " See also:

• ALFRED

Alfred inciting his subjects to prevent the landing of the Danes, or the first See also:

• NAVAL

naval victory of the English," which, after obtaining a first-class prize of £500 at the exhibition in Westminster Hall, was See also:

• PURCHASED

purchased by the See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government, and hangs in one of the See also:

• COMMITTEE (from commute, an Anglo-Fr. past participle of commettre, Lat. committere, to entrust; the modern Fr. equivalent comite is derived from the Eng.)

committee rooms of the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House of See also:

• COMMONS

Commons . It led, moreover, to a commission for the fresco of " St See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George overcomes the See also:

• DRAGON (Fr. dragon, through Lat. draco, from the Greek; connected with SEpeoµay " see," and interpreted as " sharp-sighted "; O.H. Ger. tracho, dracho, M.H.G. trache, Mod. Ger. Drachen; A.S. draca, hence the equivalent English form " drake," " fire-drake,

Dragon," which, begun. in 1848 and finished in 1853, forms part of the decorations of the Hall of the Poets in the Houses of Parliament . He next proposed to adorn gratuitously the interior of the See also:

• GREAT

Great Hall of Euston railway station with a See also:

• SERIES (a Latin word from serere, to join)

series of frescoes illustrating " The Progress of the Cosmos," but the offer was refused . A similar proposition made shortly afterwards to the Benchers of See also:

• LINCOLN
• LINCOLN, ABRAHAM (1809-1865)
• LINCOLN, EARLS OF

Lincoln's See also:

• INN

Inn was received in a less commercial spirit, and was followed by the See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution of the fresco, " See also:

• JUSTICE (Lat. justitia)

Justice: a See also:

• HEMICYCLE (Gr. iift-, half, and avahos, circle)

Hemicycle of Lawgivers," on the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

north See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of their hall .

While this large undertaking was still in progress, Watts was working steadily at pictures and portraits . In 1849 the first two of the great allegorical compositions which See also:

• FORM (Lat. forma)

form the most characteristic of the artist's productions were exhibited—" See also:

• LIFE

Life's Illusions," an elaborate presentment of the vanity of human desires, and " The See also:

• PEOPLE

people that sat in darkness," turning eagerly towards the growing See also:

• DAWN (the 16th-century form of the earlier " Jawing " or " dawning," from an old verb " daw," O. Eng. dagian, to become day; cf. Dutch dagen, and Ger. tagen)

dawn . In 1850 he first gave public expression to his intense longing to improve the See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition of humanity in the picture of " The See also:

• GOOD, JOHN MASON (1764-1827)

Good Samaritan " bending over the wounded traveller; this, as recorded in the See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

catalogue of the Royal Academy, was " painted as an expression of the artist's admiration and respect for the See also:

• NOBLE, SIR ANDREW (1832- )

noble philanthropy of See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• WRIGHT, CARROLL DAVIDSON (1840-1909)
• WRIGHT, CHAUNCEY (1830-1875)
• WRIGHT, JOSEPH (1734-1797)
• WRIGHT, SILAS (1795-1847)
• WRIGHT, THOMAS (1809–1884)
• WRIGHT, THOMAS (1810—1877)
• WRIGHT, WILLIAM ALDIS (1836– )

Wright, of See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester," and to that city he presented the See also:

• WORK

work . In 1856 Watts paid a visit to Lord Holland at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where he was then ambassador, and through him made the acquaintance and painted the portraits of See also:

• THIERS

Thiers, See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• JEROME, JEROME KLAPKA (1859– )
• JEROME, ST (HIERONYMUS, in full EUSEBIUS SOPHRONIUS HIERONYMUS) (c. 340–420)

Jerome See also:

• BONAPARTE

Bonaparte and other famous Frenchmen; while other celebrities who sat to him during these years were See also:

• GUIZOT, FRANCOIS PIERRE GUILLAUME (1787-1874)

Guizot (1848), See also:

• COLONEL (derived either from Lat. column, Fr. colonne, column, or Lat. corona, a crown)

Colonel See also:

• RAWLINSON, GEORGE (1812-1902)
• RAWLINSON, RICHARD (169o-1755)
• RAWLINSON, SIR HENRY CRESWICKE (1810—1895)
• RAWLINSON, SIR ROBERT (1810—1898)

Rawlinson, C.B., See also:

• SIR

Sir See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• TAYLOR
• TAYLOR, ANN (1782-1866)
• TAYLOR, BAYARD (1825–1878)
• TAYLOR, BROOK (1685–1731)
• TAYLOR, ISAAC (1787-1865)
• TAYLOR, ISAAC (1829-1901)
• TAYLOR, JEREMY (1613-1667)
• TAYLOR, JOHN (158o-1653)
• TAYLOR, JOHN (1704-1766)
• TAYLOR, JOSEPH (c. 1586-c. 1653)
• TAYLOR, MICHAEL ANGELO (1757–1834)
• TAYLOR, NATHANIEL WILLIAM (1786-1858)
• TAYLOR, PHILIP MEADOWS (1808–1876)
• TAYLOR, ROWLAND (d. 1555)
• TAYLOR, SIR HENRY (1800-1886)
• TAYLOR, THOMAS (1758-1835)
• TAYLOR, TOM (1817-1880)
• TAYLOR, WILLIAM (1765-1836)
• TAYLOR, ZACHARY (1784-1850)

Taylor and Thomas Wright (1851), Lord See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• RUSSELL (FAMILY)
• RUSSELL, ISRAEL COOK (1852- )
• RUSSELL, JOHN (1745-1806)
• RUSSELL, JOHN (d. 1494)
• RUSSELL, JOHN RUSSELL, 1ST EARL (1792-1878)
• RUSSELL, JOHN SCOTT (1808–1882)
• RUSSELL, LORD WILLIAM (1639–1683)
• RUSSELL, SIR WILLIAM HOWARD
• RUSSELL, THOMAS (1762-1788)
• RUSSELL, WILLIAM CLARK (1844– )

Russell (1852), See also:

• TENNYSON, ALFRED TENNYSON

Tennyson (1856, and again in 1859)., John Lothrop See also:

• MOTLEY
• MOTLEY, JOHN LOTHROP (1814–1897)

Motley the historian (1859), the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• ARGYLL, EARLS AND DUKES OF

Argyll (186o), Lord See also:

• LAWRENCE
• LAWRENCE (LAURENTIUS, LORENZO), ST
• LAWRENCE, AMOS (1786—1852)
• LAWRENCE, AMOS ADAMS (1814–1886)
• LAWRENCE, GEORGE ALFRED (1827–1876)
• LAWRENCE, JOHN LAIRD MAIR LAWRENCE, 1ST BARON (1811-1879)
• LAWRENCE, SIR HENRY MONTGOMERY (1806–1857)
• LAWRENCE, SIR THOMAS (1769–1830)
• LAWRENCE, STRINGER (1697–1775)

Lawrence and Lord See also:

• LYNDHURST, JOHN SINGLETON COPLEY, BARON (1772–1863)

Lyndhurst (1862), Lord See also:

• WENSLEYDALE
• WENSLEYDALE, JAMES PARKE, BARON (1782-1868)

Wensleydale (1864), Mr See also:

• GLADSTONE
• GLADSTONE, JOHN HALL (1827-1902)
• GLADSTONE, WILLIAM EWART (1809–1898)

Gladstone (1858 and 1865), Sir See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William Bowman and See also:

• SWINBURNE, ALGERNON CHARLES (1837–1909)

Swinburne (1865), See also:

• PANIZZI, SIR ANTHONY (1797-1879)

Panizzi (1866) and See also:

• DEAN (Lat. decanus, derived from the Gr. 8eaa, ten)
• DEAN, FOREST OF

Dean See also:

• STANLEY (FAMILY)
• STANLEY, ARTHUR PENRHYN (18x5–1881)
• STANLEY, EDWARD (1779-1849)
• STANLEY, SIR HENRY MORTON (184o-1904)
• STANLEY, SIR WILLIAM (1548-163o)
• STANLEY, THOMAS (1625-1678)

Stanley and Dr See also:

• JOACHIM, JOSEPH (1831—1907)

Joachim in 1867 . Notable pictures of the same See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period are " Sir Galahad " (1862), " See also:

• ARIADNE (in Greek mythology)

Ariadne in See also:

• NAXOS

Naxos " (1863), " See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

Time and Oblivion " (1864), originally designed for sculpture to be carried out " in See also:

• DIVERS

divers materials after the manner of See also:

• PHEIDIAS

Pheidias," and " See also:

• THETIS

Thetis " (1866) . In spite of these and many other evidences of his importance, it was not until 1867 that Watts was elected an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

Associate of the Royal Academy, but the See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

council then conferred upon him the rare distinction of promoting him, in the course of the same year, to full Academicianship . Thenceforward he continued to exhibit each year, with a few exceptions, at the Academy, even after his retirement in 1896, and he was also a frequent contributor to the Grosvenor See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, and subsequently to the New Gallery, at which last a See also:

• SPECIAL

special exhibition of his works was held in the See also:

• WINTER, JOHN STRANGE
• WINTER, PETER (c. 1755-1825)

winter of 1896-1897 . Though he travelled abroad to some extent, going to See also:

• ASIA

Asia See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

Minor in 1857 with the expedition sent to investigate the ruins of See also:

• HALICARNASSUS (mod. Budrum)

Halicarnassus, and visiting in later years Italy, See also:

• GREECE

Greece and See also:

• EGYPT

Egypt, the greater part of his life was passed in the laborious seclusion of his studio either at Little Holland House, Melbury Road, See also:

• KENSINGTON

Kensington, where he settled in 1859, or in the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country at Limnerslease, See also:

• COMPTON, HENRY (1632-1713)

Compton, See also:

• SURREY
• SURREY, EARLDOM OF
• SURREY, HENRY HOWARD, EARL OF (1518?-1547)

Surrey . Apart from his art, I would sooner point out the true way to those who seek it than his life was happily uneventful, the See also:

• SOLE (Solea)

sole facts necessary to See also:

• RECORD (Lat. recordari, to recall to mind, from cor, heart or mind)

record being his See also:

• MARRIAGE

marriage in 1886 with Miss See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary See also:

• FRASER
• FRASER, ALEXANDER CAMPBELL (1819– )
• FRASER, JAMES (1818-1885)
• FRASER, JAMES BAILLIE (1783--1856)
• FRASER, SIR WILLIAM AUGUSTUS

Fraser-See also:

• TYTLER, WILLIAM (1711-1792)

Tytler, an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• UNION
• UNION (known locally as Union Hill and officially as Town of Union)

union with Miss Ellen See also:

• TERRY, EDWARD
• TERRY, ELLEN ALICIA (1848– )

Terry having been dissolved many years before; his twice receiving (1885 and 1894), but respectfully declining, the offer of a baronetcy; and his inclusion in See also:

• JUNE

June 1902 in the newly founded See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

Order of Merit . He died on the 1st of See also:

• JULY

July 1904 . The See also:

• WORLD

world is exceptionally well provided with opportunities of judging of the qualities of G . F .

Watts's art, for with a noble generosity he presented to his country a representative selection of the best work of his See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long life . A prominent See also:

• ELEMENT (Lat. elementum)

element in it, and ore which must prove of the greatest value to posterity, is the inestimable series of portraits of his distinguished contemporaries, a series no less remarkable for its See also:

• ARTISTIC

artistic than for its See also:

• HISTORICAL

historical See also:

• INTEREST

interest . A glance through the list of his subjects shows the breadth of his sympathies and his superiority to creed or party . Among politicians are the duke of See also:

• DEVONSHIRE (DEvoN)
• DEVONSHIRE, EARLS AND DUKES OF

Devonshire (1883), Lords See also:

• SALISBURY
• SALISBURY, EARLS OF
• SALISBURY, ROBERT ARTHUR TALBOT GASCOYNECECIL, 3RD MARQUESS OF (1830-1903)
• SALISBURY, ROBERT CECIL, 1ST EARL OF (c. 1565-1612)
• SALISBURY, THOMAS DE MONTACUTE, 4TH EARL OF (1388-1428)
• SALISBURY, WILLIAM LONGSWORD (or LONGESPEE), EARL OF (d. 1226)

Salisbury (1884), See also:

• SHERBROOKE
• SHERBROOKE, ROBERT LOWE, VISCOUNT (1811–1892)

Sherbrooke (1882), See also:

• CAMPBELL, ALEXANDER (1788–1866)
• CAMPBELL, BEATRICE STELLA (Mrs PATRICK CAMPBELL) (1865– )
• CAMPBELL, GEORGE (1719–1796)
• CAMPBELL, JOHN
• CAMPBELL, JOHN (1708-1775)
• CAMPBELL, JOHN CAMPBELL, BARON (1779-1861)
• CAMPBELL, JOHN FRANCIS
• CAMPBELL, LEWIS (1830-1908)
• CAMPBELL, REGINALD JOHN (1867— )
• CAMPBELL, THOMAS (1777—1844)

Campbell (1882), See also:

• COWPER, WILLIAM (1731-1800)
• COWPER, WILLIAM COWPER, 1ST EARL (c. 1665-1723)

Cowper (1877), See also:

• RIPON
• RIPON, GEORGE FREDERICK SAMUEL ROBINSON, 1ST MARQUESS OF (1827-1909)

Ripon (1896), Dufferin (1897) and See also:

• SHAFTESBURY
• SHAFTESBURY, ANTHONY ASHLEY COOPER, 1ST EARL OF (1621-1683)
• SHAFTESBURY, ANTHONY ASHLEY COOPER, 7TH EARL OF (1801–1885)
• SHAFTESBURY, ANTHONYASHLEY COOPER, 3RD EARL OF (1671-1713)

Shaftesbury (1882), Mr Gerald See also:

• BALFOUR, FRANCIS MAITLAND (1851-1882)
• BALFOUR, ROBERT (known also as BALFOREUS) (1550?-1625?)
• BALFOUR, SIR JAMES (of Pittendreich) (d. 1583 Or 1584)
• BALFOUR, SIR JAMES, BART

Balfour (1899) and Mr John See also:

• BURNS, JOHN (1858– )
• BURNS, ROBERT (1759-1796)
• BURNS, SIR GEORGE

Burns (1897); poets—Tennyson, Swinburne (1884), See also:

• BROWNING, ELIZABETH BARRETT (z8o6-r861)
• BROWNING, OSCAR (1837- )
• BROWNING, ROBERT (1812-1889)

Browning (1875), See also:

• MATTHEW, GOSPEL OF ST
• MATTHEW, ST (MaOOaior or MarOaIos, probably a shortened form of the Hebrew equivalent to Theodorus)
• MATTHEW, TOBIAS

Matthew See also:

• ARNOLD
• ARNOLD, BENEDICT (1741-1801)
• ARNOLD, GOTTFRIED (1666-1714)
• ARNOLD, MATTHEW (1822-1888)
• ARNOLD, SAMUEL (1740--18o2)
• ARNOLD, SIR EDWIN (1832-1904)
• ARNOLD, THOMAS (1745-1842)

Arnold (1881) See also:

• ROSSETTI, CHRISTINA GEORGINA (1830-1894)
• ROSSETTI, DANTE GABRIEL (1828-1882)

Rossetti (1865, and subsequent replica) and William See also:

• MORRIS
• MORRIS [MORRISON], CLARA (1849– )
• MORRIS, GOUVERNEUR (1752–1816)
• MORRIS, JOHN (1810-1886)
• MORRIS, RICHARD (1833–1894)
• MORRIS, ROBERT (1734–1806)
• MORRIS, SIR LEWIS (1833–1907)
• MORRIS, WILLIAM (1834-1896)

Morris (187o) ; artists--himself (1864, 1880, and eleven others), Lord See also:

• LEIGHTON, FREDERICK LEIGHTON, BARON (183o–1896)
• LEIGHTON, ROBERT (161x—1684)

Leighton (1871 and 1881), See also:

• CALDERON, RODRIGO (d. 1621), COUNT OF OLIVA AND MARQUES DE LAS SIETE IGLESIAS

Calderon (1872), See also:

• PRINSEP, JAMES (1999-1840)
• PRINSEP, VALENTINE CAMERON (1838-1904)

Prinsep (1872), Burne-See also:

• JONES
• JONES, ALFRED GILPIN (1824-1906)
• JONES, EBENEZER (182o-186o)
• JONES, ERNEST CHARLES (1819-1869)
• JONES, HENRY (1831-1899)
• JONES, HENRY ARTHUR (1851- )
• JONES, INIGO (1573-1651)
• JONES, JOHN (c. 1800-1882)
• JONES, MICHAEL (d. 1649)
• JONES, OWEN (1741-1814)
• JONES, OWEN (1809-1874)
• JONES, RICHARD (179o-1855)
• JONES, SIR ALFRED LEWIS (1845-1909)
• JONES, SIR WILLIAM (1746-1794)
• JONES, THOMAS RUPERT (1819– )
• JONES, WILLIAM (1726-1800)

Jones (187o), See also:

• MILLAIS, SIR JOHN EVERETT (1829-1896)

Millais (1871), See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• CRANE (in Dutch, Kraan; O. Ger. Kraen; cognate, as also the Lat. grus, and consequently the Fr. grue and Span. grulla, with the Gr. dpavos)
• CRANE, STEPHEN (1870-1900)
• CRANE, WALTER (1845– )
• CRANE, WILLIAM HENRY (1845– )

Crane (1891), and Alfred See also:

• GILBERT
• GILBERT (KINGSMILL) ISLANDS
• GILBERT (or GYLBERDE), WILLIAM (1544-1603)
• GILBERT, ALFRED (1854– )
• GILBERT, ANN (1821-1904)
• GILBERT, GROVE KARL (1843– )
• GILBERT, J
• GILBERT, JOHN (1810-1889)
• GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
• GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
• GILBERT, SIR HUMPHREY (c. 1539-1583)
• GILBERT, SIR JOSEPH HENRY (1817-1901)
• GILBERT, SIR WILLIAM SCHWENK (1836– )

Gilbert (1896); literature is represented by John See also:

• STUART, ARABELLA (1575-1615)
• STUART, GILBERT (1755-x828)
• STUART, JAMES EWELL BROWN (1833-1864)
• STUART, JOHN
• STUART, MOSES (1780-1852)
• STUART, SIR JOHN, COUNT

Stuart See also:

• MILL
• MILL (O. Eng. mylen, later myln, or miln, adapted from the late Lat. molina, cf. Fr. moulin, from Lat. mola, a mill, molere, to grind; from the same root, mol, is derived " meal;" the word appears in other Teutonic languages, cf. Du. molen, Ger. muhle)
• MILL, JAMES (1773-1836)
• MILL, JOHN (c. 1645–1707)
• MILL, JOHN STUART (1806-1873)

Mill (exhibited 1874), See also:

• CARLYLE, ALEXANDER (1722-1805)
• CARLYLE, JOSEPH DACRE (1759-18o4)
• CARLYLE, THOMAS (1795-1881)

Carlyle (1869), George See also:

• MEREDITH, GEORGE (1828-1908)

Meredith (1893), Max See also:

• MULLER, FERDINAND VON, BARON (1825–1896)
• MULLER, FRIEDRICH (1749-1825)
• MULLER, GEORGE (1805-1898)
• MULLER, JOHANNES PETER (18o1-1858)
• MULLER, JOHANNES VON (1752-1809)
• MULLER, JULIUS (18oi-1878)
• MULLER, KARL OTFRIED (1797-1840)
• MULLER, LUCIAN (1836-1898)
• MULLER, WILHELM (1794-1827)
• MULLER, WILLIAM JAMES (1812-1845)

Muller (1895) and Mr See also:

• LECKY, WILLIAM EDWARD HARTPOLE (1838–1903)

Lecky (1878); See also:

• MUSIC

music, by Sir See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• HALLE (known as HALLE-AN-DER-SAALE, t0 distinguish it from the small town of Halle in Westphalia)
• HALLE, SIR CHARLES (originally KARL HALLE) (1819-1895)

Halle; while among others who have won fame in diverse paths are Lords See also:

• NAPIER
• NAPIER, JOHN (1550-1617)
• NAPIER, SIR CHARLES (1786-1860)
• NAPIER, SIR CHARLES JAMES (1782-1853)
• NAPIER, SIR WILLIAM FRANCIS PATRICK (1785-1860)

Napier (1886) and See also:

• ROBERTS, DAVID (1796-1864)
• ROBERTS, FREDERICK SLEIGH ROBERTS, EARL

Roberts (1899), See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General See also:

• BADEN
• BADEN, GRAND DUCHY OF

Baden-See also:

• POWELL, FREDERICK YORK (1850-1904)
• POWELL, GEORGE (c. 1658-1714)
• POWELL, JOHN WESLEY (1834–1902)
• POWELL, VAVASOR (1617-1670)

Powell (1902), See also:

• GARIBALDI, GIUSEPPE (1807-1882)

Garibaldi, Sir Richard See also:

• BURTON, JOHN HILL (1809–1881)
• BURTON, ROBERT (1577-1640)
• BURTON, SIR FREDERICK WILLIAM (1816–f goo)
• BURTON, SIR RICHARD FRANCIS (1821-1890)
• BURTON, WILLIAM EVANS (1804-1860)

Burton (1882), See also:

• CARDINAL (Lat. cardinalis)

Cardinal See also:

• MANNING, HENRY EDWARD (1808-1892)

Manning (1882), Dr See also:

• MARTINEAU, HARRIET (1802-1876)
• MARTINEAU, JAMES (1805-1900)

Martineau (1874), Sir See also:

• ANDREW (Gr. 'AvBp4as, manly)
• ANDREW, JOHN ALBION (1818-1867)

Andrew See also:

• CLARK, FRANCIS EDWARD (1851- )
• CLARK, GEORGE ROGERS (1752—1818)
• CLARK, JOHN BATES (1847— )
• CLARK, JOSIAH LATIMER (1822—1898)
• CLARK, SIR ANDREW
• CLARK, SIR JAMES (1788—1870)
• CLARK, THOMAS (1801—1867)
• CLARK, WILLIAM (1770-1838)
• CLARK, WILLIAM GEORGE (1821—1878)

Clark (1894), George See also:

• PEA (Pisum)

Pea-See also:

• BODY

body, Mr Passmore See also:

• EDWARDS, AMELIA ANN BLANDFORD (1831-1892)
• EDWARDS, BELA BATES (18o2-1852)
• EDWARDS, BRYAN (1743–1800)
• EDWARDS, GEORGE (1693–1773)
• EDWARDS, HENRY THOMAS (1837–1884)
• EDWARDS, JONATHAN (1703—1758)
• EDWARDS, LEWIS (1806–1887 )
• EDWARDS, RICHARD (c. 1523–1566)
• EDWARDS, T
• EDWARDS, THOMAS CHARLES (1837–1900)

Edwards, See also:

• CLAUDE, JEAN (1619-1687)

Claude See also:

• MONTEFIORE, SIR MOSES HAIM (1784–1885)

Montefiore (1894) . Even more significant from an artistic point of view is the great collection of symbolical pictures in the See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate Gallery which forms the artist's See also:

• MESSAGE (a word occurring in slightly different forms in several languages, e.g. Fr. message, Span. mensaje, Ital. messagio; adapted from the Low Lat. missaticum, from mittere)

message to mankind . Believing devoutly in the high See also:

• MISSION

mission of didactic art, he strove ever to carry out his part of it faithfully . To quote his own words: " My intention has not been so much to paint pictures that See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm the See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye, as to suggest great thoughts that will appeal to the See also:

• IMAGINATION

imagination and the See also:

• HEART
• HEART, LUNG

heart, and kindle all that is best and noblest in humanity "; and his tenet is that the See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main object of the painter should be " demanding noble aspirations, condemning in the most trenchant manner prevalent vices, and warning in deep tones against lapses from morals and duties." There are not wanting critics who radically dissent from this view of the proper functions of art . It must be admitted that there is force in their objection when the inner meaning of a picture is found to be exceedingly obscure, if not incomprehensible, without a verbal explanation . In the See also:

• FEMALE

female figure, for instance, bending blindfolded on the globe suspended in space and See also:

• SOUNDING (for derivation see SOUND above)

sounding the sole remaining See also:

• STRING

string upon her See also:

• LYRE (Gr. Xupa)

lyre, while a single See also:

• STAR

star shines in the See also:

• BLUE (common in different forms to most European languages)

blue heavens, it is not obvious to every one that the See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of " See also:

• HOPE, ANTHONY
• HOPE, THOMAS (c. 1770-1831)

Hope " (1885) is suggested . There can be few, nevertheless, who will maintain that his aim is not a lofty one; and the strongest See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence of the artist's greatness, to those who accept his See also:

• DOCTRINE

doctrine, is the fact that he has not only striven untiringly for his own ideals, but has very often gloriously attained them . Moreover, in so doing he has not failed on occasion to impart to his work much of that very charm which is to him a secondary See also:

• CONSIDERATION (from Lat. considerare, to look at closely, examine, generally taken to be from con-, and the base seen in sidus, sideris, a star, the word being supposed to be originally an astrological or astronomical term)

consideration, or to exhibit an assured and accomplished mastery of the technical achievement which is to some the See also:

• PRIMARY

primary object and essential triumph of See also:

• PAINTING

painting . It was, in short, the rare See also:

• COMBINATION (Lat. combinare, to combine)

combination of supreme handicraft with a great Imaginative See also:

• INTELLECT (Lat. intellectus, from intelligere, to understand)

intellect which secured to Watts his undisputed See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in the public estimation of his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day .

The grandeur and dignity of his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, the ease and purposefulness of his brushwork, the richness and harmoniousness of his colouring—qualities partly his own, partly derived from his study of See also:

• ITALIAN

Italian masters at an early and impression-able See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age—are acknowledged even by those to whom his elevated educational intentions are a See also:

• MATTER

matter of indifference, if not of See also:

• ABSOLUTE (Lat. absolvere, to loose, set free)

absolute disapprobation; while many, to whom his exceptional artistic attainment is a sealed See also:

• BOOK

book, have gathered courage or See also:

• CONSOLATION (Fr. consolation, Lat. consolatio, from consolari, to assuage, comfort, console)

consolation from the See also:

• GRAVE

grave moral purpose and deep human sympathy of his teaching . He expresses his ideas for the most part in terms of beauty, an idealized, classical beauty of form, a glowing, Venetian beauty of See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, though his conviction of the deadly danger of heaped-up riches, which he vindicated in his life as well as in his work, has, in such cases as " The See also:

• MINOTAUR (Gr. Mcvcn -avpos, from Mews, and Taps, bull)

Minotaur " (exhibited in 1896), " See also:

• MAMMON

Mammon " (1885) and " See also:

• JONAH
• JONAH, RABBI (ABULWALID MERWAN IBN JANAH, also R. MARINUS) (c. 996-c. 1050)

Jonah " (1895), where the unveiled vileness of See also:

• CRUELTY (through the O. Fr. crualte, mod. cruaute, from the Lat. crudelitas)

Cruelty and Greed is fearlessly depicted, driven him to the presentment of sheer ugliness or brutality . Far oftener a vast, all-embracing tenderness inspires his work; it is the sorrow, not the See also:

• SIN
• SIN (O. Eng. syn: a common Teutonic word, cf. Dutch zonde, Ger. Siinde)

sin, that stirs him . When he would rebuke the thoughtless inhumanity which sacrifices its See also:

• ANNUAL

annual hecatombs of See also:

• INNOCENT (INNOCENTIUS)
• INNOCENT (POPES)

innocent birds to fashionable vanity and grasping See also:

• COMMERCE
• COMMERCE (Lat. commercium, from, cum, together, and rnerx, merchandise)

commerce, it is not upon the See also:

• BLOOD

blood and cruelty that he dwells, but the pity of it that See also:

• LIE, JONAS LAURITZ EDEMIL (1833—1908)
• LIE, MARIUS SOPHUS (1842–1899)

lie typifies in " See also:

• DEDICATION (Lat. dedicatio, from dedicare, to proclaim, to announce)

Dedication " or " The Shuddering See also:

• ANGEL

Angel " (1892) weeping over the See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar spread with Woman's spoils . Yet it is as a teacher that the artist is seen at his highest: headmonish those who have wandered . He never wearies of emphasizing the reality of the See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power of Love, the See also:

• FALLACY (Lat. fall-ax, apt to mislead)

fallacy underlying the fear of See also:

• DEATH

Death . To the early masters Death was a See also:

• BARE

bare and ghastly See also:

• SKELETON

skeleton, above all things to be shunned; to Watts it is a See also:

• GRAND

grand, impressive figure, awful indeed but not horrible, irresistible but not ruthless, a bringer of See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest and See also:

• PEACE
• PEACE, BREACH OF THE

peace, not to be rashly sought but to be welcomed when the inevitable See also:

• HOUR

hour shall strike . "Sic transit" (1892) conveys most completely, perhaps,Watts's See also:

• LESSON (through Fr. lecon from Lat. lectio, reading; legere, to read)

lesson on the theme of death . Stretched on a bier and reverently sheeted lies a See also:

• CORPSE (Lat. corpus, the body)

corpse; strewn neglected on the ground lie the See also:

• ERMINE

ermine robe of worldly See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank, the weapons of the See also:

• WARRIOR

warrior, the See also:

• LUTE (Arabic al'ud, " the wood "; Fr. luth; Ital. liuto; Span. laud; Ger. Laute; Dut. luit)

lute of the musician, the book of human learning, the See also:

• PALMER
• PALMER, EDWARD HENRY (1840-1882)
• PALMER, ERASTUS DOW (1817-1904)
• PALMER, GEORGE (1818-1897)
• PALMER, JOHN
• PALMER, RAY (1808-1887)
• PALMER, SAMUEL (1805-1881)
• PALMER, SIR CHARLES MARK, BART

palmer's robe of See also:

• LATE

late repentance and the See also:

• ROSES, WARS OF THE

roses of fleeting pleasures; the See also:

• LAUREL

laurel See also:

• CROWN

crown remains as the one thing See also:

• WORTH
• WORTH, CHARLES FREDERICK (1825-1895)

worth the winning, and the inscription " What I spent I had; what I saved I lost; what I gave I have," points the moral . Such is the significance of the still more masterly ` See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court of Death" (finally completed 1902 and now in the Tate Gallery) . To the same early masters Love was usually a See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere distributor of sensual pleasures, a tricksy spirit See also:

• INSTINCT

instinct with malice and bringing more harm than happiness to humanity, though neither was of much moment . Watts has not altogether ignored this view, and in " See also:

• MISCHIEF

Mischief " (1878) has portrayed See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man, love-led, entangled among the thorns of the world; but, in the main, Love to him is the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• GUIDE (in Mid. Eng. gyde, from the Fr. guide; the earlier French form was guie, English " guy," the d was due to the Italian form guida; the ultimate origin is probably Teutonic, the word being connected with the base seen in O. Eng. witan, to know)

guide and helper of mankind along the barren, See also:

• ROCK
• ROCK (O.Fr. rake, Sp. rota, Ital. rocca; possibly from a Lat. form rupica, from rupes, rock)
• ROCK, DANIEL (1799–187t)

rock-strewn path of life, through whom alone he can attain the higher levels, and who triumphs in the end over Death itself .

To these views on the all-importance of love a trilogy of pictures in the Tate Gallery gives full expression . In the first, " Love and Life," exhibited in 1885, a replica of an earlier picture in the See also:

• METROPOLITAN (Lat. metropolitanus, Gr. µnrpoiroXtrns)

Metropolitan Museum, New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, and of another version presented by him to the Luxembourg, Paris, Love, a figure in the See also:

• PRIME, PRIMER AND PRIMING

prime of manhood, leads and supports the slender, clinging girl who symbolizes Life up to the craggy See also:

• MOUNTAIN (0. Fr. montaigne; popular Lat. montanea, an adjectival form from the classical mons, montis, whence Eng. " mount," a form usually used along with the name of an individual mountain, e.g. Mt Everest)
• MOUNTAIN, THE (La Montagne)

mountain-See also:

• TOP (cf. Dan. top, Ger. Topf, also meaning pot)

top, while he partly See also:

• SHIELDS, JAMES (181b-1879)