See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• WEBSTER
• WEBSTER, ALEXANDER (1707-1784)
• WEBSTER, BENJAMIN NOTTINGHAM (1797-1882)
• WEBSTER, DANIEL (1782-1852)
• JOHN WEBSTER (fl. 1602-1624)
• WEBSTER, NOAH (1758-1843)
• WEBSTER, THOMAS (1773-1844)
• WEBSTER, THOMAS (1800-1886)

WEBSTER (fl. 1602-1624)  , See also:

• ENGLISH

English dramatist, was a writer for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage in the See also:

• YEAR

year 1602, when he had a See also:

• SHARE (O. Eng. scearu, chiefly in compounds, e.g. land-scearu, a share of land, from sceran to cut; cf. " shear" )

share in three plays noted by See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip See also:

• HENSLOW, JOHN STEVENS (1796-1861)

Henslow, and he published in 1624 the See also:

• CITY (through Fr. cite, from Lat. civitas)

city See also:

• PAGEANT

pageant for that year, " invented and written by See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• WEBSTER
• WEBSTER, ALEXANDER (1707-1784)
• WEBSTER, BENJAMIN NOTTINGHAM (1797-1882)
• WEBSTER, DANIEL (1782-1852)
• WEBSTER, JOHN (fl. 1602-1624)
• WEBSTER, NOAH (1758-1843)
• WEBSTER, THOMAS (1773-1844)
• WEBSTER, THOMAS (1800-1886)

Webster, See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant-tailor." In the same year a tragedy by See also:

• FORD, EDWARD ONSLOW
• FORD, JOHN (r586–c.1640)
• FORD, RICHARD (1796-1858)
• FORD, THOMAS (b. c. 158o)

Ford and Webster, A See also:

• LATE

late Murther of the Sonn upon the See also:

• MOTHER

Mother, was licensed for the stage; it is one of the numberless treasures now lost to us through the carelessness of See also:

• GENIUS (from Lat. genere, gignere)

genius or the malignity of See also:

• CHANCE (through the O. Fr. cheance, from the Late Lat. cadentia, things happening, from cadere, to fall out, happen; cf. " case ")

chance . Beyond the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period included between these two See also:

• DATES

dates there are no traces to be found of his existence; nor is anything known of it with any certainty during that period, except that seven plays appeared with his name on the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title See also:

• PAGE
• PAGE, THOMAS NELSON (1853- )
• PAGE, WILLIAM (1811-1885)

page, three of them only the See also:

• WORK

work of his unassisted See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand . He was the author of certain additions to See also:

• MARSTON, JOHN (c. 1575-1634)
• MARSTON, PHILIP BOURKE (1850-1887)

Marston's tragi-See also:

• COMEDY

comedy of The Malcontent (1604); these probably do not extend beyond the See also:

• INDUCTION (from Lat. inducere, to lead into; cf. Gr. ilrayu yli)

induction, a curious and vivacious prelude to a powerful and irregular work of somewhat morbid and sardonic genius . Three years later, in 1607, two comedies and a tragedy, " written by See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• DEKKER (or DECKER), THOMAS (c. 1570-1641)
• DEKKER, EDWARD DOUWES (182o-1887)
• DEKKER, JEREMIAS DE (1610-1666)

Dekker and John Webster," were given to the See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press . The comedies are lively and humorous, full of See also:

• MOVEMENT

movement and incident; but the beautiful interlude of See also:

• POETRY

poetry which distinguishes the second See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene of the See also:

• FOURTH

fourth See also:

• ACT (Lat. actus, actum)

act of Westward Ho! is unmistakably and unquestionably the work of Dekker; while the See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion comedy of Northward Ho! is composed throughout of homespun and coarse-grained See also:

• PROSE

prose . The Famous See also:

• HISTORY

History of See also:

• SIR

Sir Thomas See also:

• WYATT, JAMES (1746–1813)

Wyatt is apparently a most awkward and injurious abridgment of an See also:

• HISTORICAL

historical See also:

• PLAY

play in two parts on a pathetic but undramatic subject, the See also:

• FATE

fate of See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady Jane See also:

• GREY, CHARLES GREY, 2ND EARL (1764-1845)
• GREY, HENRY GREY, 3RD EARL (1802-1894)
• GREY, LADY JANE (1537-1554)
• GREY, SIR EDWARD
• GREY, SIR GEORGE (1812–1898)

Grey . In this lost play of Lady Jane (noted by Henslow in 1602) See also:

• HEYWOOD
• HEYWOOD, JOHN (b. 1497)
• HEYWOOD, THOMAS (d. c. 165o)

Heywood, Dekker, See also:

• CHETTLE, HENRY (1564?–16o7?)

Chettle and See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

Smith had also taken See also:

• PART

part; so that even in its See also:

• ORIGINAL

original See also:

• FORM (Lat. forma)

form it can hardly have been other than a rough piece of patchwork . There are some touches of See also:

• SIMPLE

simple eloquence and See also:

• RUDE, FRANCOIS (1784–1855)

rude dramatic ability in the mangled and corrupt See also:

• RESIDUE (through the French, from the Lat. residuum, a remainder, from residere, to remain)

residue which is all that survives of it; but on the whole this " history " is crude, meagre, and unimpressive . In 1612 John Webster stood revealed to the then somewhat narrow See also:

• WORLD

world of readers as a tragic poet and dramatist of the very foremost See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank in the very highest class . The See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

White See also:

• DEVIL (Gr. &a,3oXos, " slanderer," from &ctflisXX sty, to slander)

Devil, also known as See also:

• VITTORIA

Vittoria Corombona,l is a tragedy based on events then comparatively See also:

• RECENT

recent—on a See also:

• CHRONICLE (from Gr. Xpovos, time)

chronicle of See also:

• CRIME (Lat. crimen, accusation)

crime and retribution in which the leading circumstances were altered and adapted with the most delicate See also:

• ART

art and the most consummate See also:

• JUDGMENT

judgment from the incompleteness of incomposite reality to the requisites of the stage of See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare . By him alone among English poets have the finest scenes and passages of this tragedy been ever surpassed or equalled in the crowning qualities of tragic or dramatic poetry—in pathos and See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion, in subtlety and strength, in harmonious variety of art and infallible fidelity to nature . Eleven years had elapsed when the twin masterpiece of its author—if not indeed a still greater or more See also:

• ABSOLUTE (Lat. absolvere, to loose, set free)

absolute masterpiece—was published by the poet who had given it to the stage seven years before .

The Duchess of Malfy 2 (an Anglicized version of See also:

• AMALFI

Amalfi, corresponding to such designations as See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice and See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples) was probably brought on the stage about the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of the See also:

• DEATH

death of Shakespeare; it was first printed in the memorable year which witnessed the first publication of his collected plays . This tragedy stands out among its compeers as one of the imperishable and ineradicable See also:

• LAND

land-marks of literature . All the See also:

• GREAT

great qualities apparent in The White Devil reappear in The Duchess of Malfy, combined with a yet more perfect See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution, and utilized with a yet more consummate I The White Divel; or, The Tragedy of Paulo See also:

• GIORDANO, LUCA (1632–1705)

Giordano Ursini, See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke of Brachiano, with the See also:

• LIFE

Life and Death of Vittoria Corombona, the famous Venetian Curtizan (1612) . Other See also:

• EDITIONS

editions, with varying title-pages, 1631, 1665, 1672 . 2 The Dutchess of Malfey, A Tragedy . As it was approvedly well acted at Blackfriers . . . (1623) . The See also:

• PLOT
• PLOT, ROBERT (164o-1696)

plot is taken from a novel by See also:

• BANDELLO, MATTEO (1480-1562)

Bandello, and is also the subject of a tragedy by Lope de See also:

• VEGA, GARCILASO DE LA
• VEGA, GARCILASO DE LA (1503-1536)

Vega, El See also:

• MAYOR (Lat. major, greater)
• MAYOR, JOHN EYTON BICKERSTETH (1825– )

Mayor Domo de la duquessa d'Amalfi . skill . No poet has ever so See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long and so successfully sustained at their utmost height and intensity the expressed emotions and the See also:

• UNITED

united effects of terror and pity . The transcendent See also:

• IMAGINATION

imagination and the impassioned sympathy which inspire this most tragic of all tragedies See also:

• SAVE, or SAVA (Ger. Sau; Hungarian Szdva; Lat. Savus)

save See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• LEAR, EDWARD (1812-1888)

Lear are fused together in the fourth act into a creation which has hardly been excelled for unflagging See also:

• ENERGY (from the Gr. ivipyela; iv, in, ipyov, work)

energy of impression and of pathos in all the dramatic or poetic literature of the world .

Its See also:

• WILD, JONATHAN (c. 1682-1725)

wild and fearful sublimity of invention is not more exceptional than the exquisite See also:

• JUSTICE (Lat. justitia)

justice and tenderness and subtlety of its expression . Some of these executive merits may be found in an See also:

• ILL

ill-constructed and ill-conditioned tragi-comedy which was printed in the same year; but few readers will care to remember much more of The Devil's See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

Law See also:

• CASE
• CASE, JOHN (d. 1600)

Case than the admirable scenes and passages which found favour in the unerring and untiring sight of Webster's first and final interpreter or commentator, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• LAMB (a word common to Teutonic languages; cf. Ger. Lamm)
• LAMB, CHARLES (1775–1834)

Lamb . See also:

• THIRTY

Thirty-one yearslater (1654) the See also:

• NOBLE, SIR ANDREW (1832- )

noble tragedy of Appius and See also:

• VIRGINIA
• VIRGINIA, or VERGINIA
• VIRGINIA, UNIVERSITY OF

Virginia was given to the world—a work which would alone have sufficed to perpetuate the memory of its author among all competent lovers of English poetry at its best . Seven years afterwards an unprincipled and ignorant bookseller published, under the title of Two New Playes: viz . A Cure for a Cuckold: a Comedy . The Thracian Wonder, A Comical History . As it hath been several times acted with great See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

Applause, two plays of which he assigned the authorship to John Webster and See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• ROWLEY, WILLIAM (c. 1585-c. 1642)

Rowley . This attribution may or may not be accurate; the former play is a mixture of coarsely realistic See also:

• FARCE

farce and gracefully romantic comedy . An See also:

• ELEGY

elegy on See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry, See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales, and a few slight occasional verses, compose the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of Webster's remaining extant See also:

• WORKS

works . [See also:

• EDWARD

Edward See also:

• PHILLIPS
• PHILLIPS, ADELAIDE (1833-1882)
• PHILLIPS, EDWARD (163o-1696)
• PHILLIPS, JOHN (1800—1874)
• PHILLIPS, SAMUEL (1814—1854)
• PHILLIPS, STEPHEN (1868– )
• PHILLIPS, THOMAS (1770-1845)
• PHILLIPS, WENDELL (1811-1884)

Phillips, in his Theatrum poetarum, wrongly attributed to him a share in The Weakest goes to the See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

Wall . The play of See also:

• GUISE
• GUISE, HOUSE OF

Guise, mentioned by Webster himself in the introduction to The Devil's Law Case, is lost.] Webster's claims to a See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place among the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief writers of his See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country were ignored for upwards of two centuries . In 183o the Rev .

See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander See also:

• DYCE, ALEXANDER (1798–1869)
• DYCE, WILLIAM (1806–1864)

Dyce first collected and edited the works of a poet who had found his first adequate recognition twenty-two years earlier at the pious and fortunate hands of Lamb . But we cannot imagine that a presentiment or even a fore-knowledge of this long delay in the See also:

• PAYMENT (Fr. paiement, from payer, to pay; Lat. pacare, to appease, pax, peace)

payment of a See also:

• DEBT (Lat. debitum, a thing owed)

debt so long due from his countrymen to the memory of so great a poet would seriously have disturbed or distressed the mind of the See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man who has given us the See also:

• CLUE

clue to his nature in a single and an imperishable See also:

• SENTENCE (Lat. sententia, a way of thinking, opinion, judgment; vote, sentire, to feel, think)

sentence—" I rest silent in my own work." (A . C . S.) See The Works of John Webster; with some See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

Account of the Author and Notes, by Alexander Dyce (new ed., 1857) ; The Dramatic Works of John Webster, edited by William See also:

• HAZLITT, WILLIAM (1778-1830)

Hazlitt the younger (1857); The Best Plays of Webster and See also:

• TOURNEUR, CYRIL (c. 1575-1626)

Tourneur, edited by J . A . See also:

• SYMONDS, JOHN ADDINGTON (184o-180, English critic and poet, was born at Bristol, on the 5th of October 184o. He was the only son of John Addington Symonds, M.D. (1807—1871)
• SYMONDS, WILLIAM SAMUEL (1818-1887)

Symonds for the " Mermaid " See also:

• SERIES (a Latin word from serere, to join)

series (1888—1903) ; Love's See also:

• GRADUATE (Med. Lat. graduale, to admit to an academical degree, gradus)

Graduate ... (See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, 1885), in which Webster's supposed share in A Cure for a Cuckold is presented separately by S . See also:

• SPRING (from " to spring," " to leap or jump up," " burst out," O. Eng., springau, a common Teut. word, cf. Ger. springer, possibly allied to Gr. QnrFpxecOac, to move rapidly)

Spring-See also:

• RICE (Greek 6p6 a, Latin oryza, French riz, Italian riso, Spanish arroz, derived from the Arabic)
• RICE, EDMUND IGNATIUS (1762-1844)
• RICE, JAMES (1843-1882)

Rice, with an introduction by See also:

• EDMUND
• EDMUND, or EADMUND (c. 980-1016)
• EDMUND, SAINT [EDMUND RICE] (d. 1240)

Edmund See also:

• GOSSE, EDMUND (1849– )
• GOSSE, PHILIP HENRY (1810–r888)

Gosse . See also E . Gosse, Seventeenth-See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

Century Studies (1883); and especially an exhaustive See also:

• TREATISE

treatise by E . E . Stoll, John Webster, The Periods of his Work as determined by his Relations to the See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

Drama of his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

Day (See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston, See also:

• MASSACHUSETTS (an Indian name, originally applied to a tribe of Indians)

Massachusetts, 1905) .

Mr Stoll's account (see p . 42) shows that the additional See also:

• BIOGRAPHICAL

biographical suggestions made by Mr See also:

• SIDNEY
• SIDNEY (or SYDNEY), ALGERNON (1622-1683)
• SIDNEY, SIR HENRY (1529-1586)
• SIDNEY, SIR PHILIP (1554-1586)

Sidney See also:

• LEE
• LEE (or LEGIT) ROWLAND (d. 1543)
• LEE, ANN (1736–1784)
• LEE, ARTHUR (1740–1792)
• LEE, FITZHUGH (1835–1905)
• LEE, GEORGE ALEXANDER (1802-1851)
• LEE, HENRY (1756-1818)
• LEE, JAMES PRINCE (1804-1869)
• LEE, NATHANIEL (c. 1653-16g2)
• LEE, RICHARD HENRY (1732-1794)
• LEE, ROBERT EDWARD (1807–1870)
• LEE, SIDNEY (1859– )
• LEE, SOPHIA (1950-1824)
• LEE, STEPHEN DILL (1833-1908)

Lee in his See also:

• ARTICLE (from Lat. articulus, a joint)

article in the Dict . Nat . Biog. are not supported .