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See also: born in See also: Amsterdam, and studied first under See also: Jan Micker, then at See also: Utrecht under A
.
See also: Bloemaert, and at Amsterdam under Moijaert, and finally, between 1643 and 1647, in See also: Rome
.
In that city he acquired a See also: great name and worked for See also: Pope Innocent and See also: Cardinal Pamphili
.
He returned to his native country in 1649, in which See also: year he became master of the gild of St See also: Luke at Utrecht, where he died in 166o
.
He was a very productive and versatile painter, his favourite subjects being landscapes with ruins and large figures, seaports, and, later in See also: life, large still-life pictures of dead See also: game
.
Now and then he attempted religious genre, one of the rare pieces of this kind being the " See also: Jacob and See also: Esau " at the See also: Dresden Gallery
.
At the See also: National Gallery, See also: London, is a " Hunting Scene " by the master, and the See also: Glasgow Gallery has a characteristic See also: painting of ruins
.
Weenix is represented at most of the important See also: continental galleries, notably at See also: Munich, Vienna, Berlin, Amsterdam, and St See also: Petersburg
.
His chief pupils were his son Jan, Berchem, and See also: Hondecoeter
.
His son, JAN WEENIX (1640-1719), was born at Amsterdam and was a member of the Utrecht gild of painters in 1664 and 1668
.
Like his See also: father he devoted himself to a variety of subjects, but his fame is chiefly due to his paintings of dead game and of hunting scenes
.
Indeed, many of the pictures of this genre, which were formerly ascribed to the elder Weenix, are now generally considered to be the See also: works of his son, who even at the early age of twenty rivalled, and subsequently surpassed, his father in breadth of handling and richness of colour
.
At Amsterdam he was frequently employed to decorate private houses with See also: wall-paintings on See also: canvas; and between 1702 and 1712 he was occupied with an important series of large hunting pictures for the See also: Prince Palatine Johann Wilhelm's See also: castle of Bensberg, near Cologne
.
Some of these pictures are now at Munich Gallery
.
He died at Amsterdam in 1719
.
Many of his best works are to be found in See also: English private collections, though the National Gallery has but a single example, a painting of dead game and a See also: dog
.
Jan Weenix is well represented at the galleries of Amsterdam, The Hague, See also: Haarlem, See also: Rotterdam, Berlin, and See also: Paris
.
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