HENRIK See also:ARNOLD See also:WERGELAND (18o8—1845)
, See also:Norwegian poet and See also:prose writer, was See also:born at See also:Christiansand on the 17th of See also:June 18o8
.
He was the eldest son of See also:Professor Nikolai See also:Wergeland (1780-1848), who had been a member of the constitutional See also:assembly which proclaimed the See also:independence of See also:Norway in 1814 at Eidsvold
.
Nikolai was himself pastor of Eidsvold, and the poet was thus brought up in the very See also:holy of holies of Norwegian patriotism
.
He entered the university of See also:Christiania in 1825 to study for the See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church, and was soon the See also:leader of a See also:band of enthusiastic See also:young men who desired to revive in Norway the spirit and independence of the old vikings
.
His earliest efforts in literature were See also:wild and formless
.
He was full of See also:imagination, but without See also:taste or knowledge
.
He published poetical farces under the See also:pseudonym of " Siful Sifadda "; these were followed in 1828 by an unsuccessful tragedy; and in 1829 by a See also:volume of lyrical and patriotic poems, Digte, forste See also:Ring, which attracted the liveliest See also:attention to his name
.
At the See also:age of twenty-one he became a See also:power in literature, and his enthusiastic See also:preaching of the doctrines of the revolution of See also:July made him a force in politics also
.
Meanwhile he was tireless in his efforts to advance the See also:national cause
.
He established popular See also:libraries, and tried to alleviate the widespread poverty of the Norwegian peasantry
.
He preached the See also:simple See also:life, denounced See also:foreign luxuries, and set an example by wearing Norwegian homespun
.
But his numerous and varied writings were coldly received by the critics, and a See also:monster epic, Skabelsen, Mennesket og Messias (Creation, See also:Man and See also:Messiah), 183o, showed no improvement in See also:style
.
It was remodelled in 1845 as Mennesket
.
From 1831 to 1835 Wergeland was submitted to severe satirical attacks from J
.
S. le See also:Welhaven and others, and his style improved in every respect
.
His nationalist See also:political propaganda lacked knowledge and See also:system
.
His partisans were alienated by his inconsistent admiration for See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King Carl Johan, by his unpopular advocacy of the Jewish cause, and by the extravagance of his methods generally
.
His popularity waned as his See also:poetry improved, and in 184o he found himself a really See also:great lyric poet, but an See also:- EXILE (Lat. exsilium or exilium, from exsul or exul, which is derived from ex, out of, and the root sal, to go, seen in salire, to leap, consul, &c.; the connexion with solum, soil, country is now generally considered wrong)
exile from political See also:influence
.
In that See also:year he became keeper of the royal archives
.
He died on the 12th of July 1845
.
In 1908 a statue was erected to his memory by his compatriots at See also:Fargo, See also:North Dakota
.
His See also:Jan See also:van Huysums Blomsterstykke (184o), Svalen (1841), Joden (1842), Jodinden (1844) and Den Engelske Lods (1844), See also:form a See also:series of narrative poems in See also:short lyrical metres which remain the most interesting and important of their See also:kind in Norwegian literature
.
He was less successful in other branches of letters; in the See also:drama neither his Campbellerne (1837), Venetianerne (1843), nor Sokadetterne (1848), achieved any lasting success; while his elaborate contribution to political See also:history, Norges Konstitutions Historie (1841—1843), is forgotten
.
The poems of his later years include many lyrics of great beauty, which are among the permanent treasures of Norwegian poetry
.
Wergeland's Samlede Skrifter (9 vols., Christiania, 1852–1857) were edited by H
.
See also:Lassen, the author of Henrik Wergeland og hans Samtid (1866), and the editor of his Breve (1867)
.
See also H
.
Schwanenflugel, Henrik Wergeland (See also:Copenhagen, 1877); and J
.
G
.
Kraft, Norsk Forfatter-Lexikon (Christiania, 1857), for a detailed bibliography
.
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