See also:

• SAMUEL

SAMUEL See also:

• WESLEY (FAMILY)
• WESLEY, JOHN (1703-1791)
• SAMUEL WESLEY (1766-1837)
• WESLEY, SAMUEL SEBASTIAN (1810–1876)

WESLEY (1766-1837)  , See also:

• ENGLISH

English musical composer, son of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• WESLEY (FAMILY)
• WESLEY, JOHN (1703-1791)
• WESLEY, SAMUEL (1766-1837)
• WESLEY, SAMUEL SEBASTIAN (1810–1876)

Wesley (see above), was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BRISTOL
• BRISTOL, EARLS AND MARQUESSES OF
• BRISTOL, GEORGE DIGBY, 2ND EARL OF1 (1612-1677)
• BRISTOL, JOHN DIGBY, 1ST EARL OF 6 (1580-1653)

Bristol on the 24th of See also:

• FEBRUARY

February 1766, and See also:

• DEVELOPED

developed so precocious a See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent for See also:

• MUSIC

music that at three years old he played the See also:

• ORGAN

organ and at eight composed an See also:

• ORATORIO

oratorio entitled See also:

• RUTH, BOOK OF

Ruth—a fact which is duly chronicled on a curious portrait, painted in 1774, and afterwards engraved, wherein he is represented in the childish See also:

• COSTUME
• COSTUME (through the Fr. costume, from Ital. costume, Late Lat. costuma, a contracted form of Lat. consuetudinem, ace. of consuetudo, custom, habit, manner, &c.)

costume of the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period . Though suffering for many years from an accidental injury to the See also:

• BRAIN (A.S. braegen)

brain, Wesley was See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long regarded as the most brilliant organist and the most accomplished extempore See also:

• FUGUE (Lat. fuga, flight)

fugue-player in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . He may indeed be regarded as the See also:

• FATHER

father of See also:

• MODERN

modern organ-playing, for he it was who, aided by his See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends See also:

• BENJAMIN
• BENJAMIN, JUDAHPHILIP (1811-1884)

Benjamin See also:

• JACOB
• JACOB, JOHN (1812-1858)

Jacob and C . F . See also:

• HORN
• HORN (a common Teutonic word, cognate with Lat. cornu; cf. Gr. Kipas)
• HORN (Lat. cornu; corresponding terms being Fr. cor, trompe; Ger. Horn; Ital. corno)
• HORN, ARVID BERNHARD, COUNT (1664-1742)
• HORN, PHILIP DE MONTMORENCY, COUNT

Horn, first introduced the See also:

• WORKS

works of See also:

• SEBASTIAN
• SEBASTIAN, ST

Sebastian See also:

• BACH, JOHANN SEBASTIAN (1685–1750)
• BACH, KARL PHILIPP EMANUEL (1714-1788)

Bach to English organists, not only by his superb playing, but by editing with Horn, in 18ro, the first copy of Das wohltemperirte Clavier ever printed in England . Wesley's last performance took See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place on the 12th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1837 at See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church, Newgate See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, See also:

• LONDON

London, where, after See also:

• HEARING (formed from the verb " to hear," O. Eng. hyran, heron, &c., a common Teutonic verb; cf. Ger. Koren, Dutch hooren, &c.; the O. Tent. form is seen in Goth. hausjan; the initial h makes any connexion with " ear," Lat. audire, or Gr. &Kobew very doub

hearing the wonderful performances of Mendelssohn, he was himself induced to See also:

• PLAY

play an extempore fugue . He died on the 11th of See also:

• OCTOBER

October 1837, leaving a vast number of MS. and printed compositions . His See also:

• BROTHER

brother Charles (1757–1815) was also an accomplished organist, and still more famous was his son, See also:

• SAMUEL

Samuel Sebastian (q.v.) .