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See also: English musical composer, son of See also: Charles
See also: Wesley (see above), was See also: born at See also: Bristol on the 24th of See also: February 1766, and See also: developed so precocious a talent for See also: music that at three years old he played the See also: organ and at eight composed an See also: oratorio entitled Ruth—a fact which is duly chronicled on a curious portrait, painted in 1774, and afterwards engraved, wherein he is represented in the childish See also: costume of the See also: period
.
Though suffering for many years from an accidental injury to the See also: brain, Wesley was long regarded as the most brilliant organist and the most accomplished extempore See also: fugue-player in See also: England
.
He may indeed be regarded as the See also: father of See also: modern organ-playing, for he it was who, aided by his See also: friends Benjamin See also: Jacob and C
.
F
.
See also: Horn, first introduced the See also: works of See also: Sebastian Bach to English organists, not only by his superb playing, but by editing with Horn, in 18ro, the first copy of Das wohltemperirte Clavier ever printed in England
.
Wesley's last performance took place on the 12th of See also: September 1837 at Christ See also: Church, Newgate Street,
See also: London, where, after hearing the wonderful performances of Mendelssohn, he was himself induced to See also: play an extempore fugue
.
He died on the 11th of See also: October 1837, leaving a vast number of MS. and printed compositions
.
His See also: brother Charles (1757–1815) was also an accomplished organist, and still more famous was his son, See also: Samuel Sebastian (q.v.)
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