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WILHELM See also: German musical conductor, composer and inventor, was See also: born on the loth of See also: August 1802, at See also: Aschersleben, where his See also: father was See also: town musician
.
According to his autobiography, Wieprecht early learned from his father to See also: play on nearly all See also: wind See also: instruments
.
It was in See also: violin-playing, however, that his father particularly wished him to excel; and in 1819 he went to See also: Dresden, where he studied composition and the violin to such See also: good purpose that a See also: year later he was given a position in the city orchestra of See also: Leipzig, playing also in those of the See also: opera and the famous Gewandhaus
.
At this See also: time, besides playing the violin and See also: clarinet in the orchestra, he also gave See also: solo performances on the trombone
.
In 1824 he went to Berlin, where he became a member of the royal orchestra, and was in the same year appointed chamber musician to the See also: king
.
His residence at Berlin gave Wieprecht ample opportunity for the exercise of his
See also: genius for military See also: music, on which his fame mainly rests
.
Several of his See also: marches were early adopted by the regimental bands, and a more ambitious military composition attracted the See also: attention of Gasparo Spontini, at. whose See also: house he became an intimate See also: guest
.
It was now that he began to study acoustics, in See also: order to correct the deficiencies in military musical instruments
.
As the result, he improved the valves of the See also: brass instruments, and succeeded, by constructing them on sounder acoustic principles, in greatly increasing the See also: volume and purity of their See also: tone
.
He also inventedthe See also: bass See also: tuba or See also: bombardon in order to give greater richness and power to the bass parts
.
In recognition of these inventions he was, in 1835, honoured by the Royal See also: Academy of
.
Berlin
.
In 1838 he was appointed by the Prussian See also: government director-general of all the See also: guards' bands, and in recognition of the magnificent performance by massed bands on the occasion of the emperor See also: Nicholas I.'s visit the same year, was awarded a See also: special See also: uniform
.
In 1843 he became director-general of the bands of the loth Confederate army corps, and from this time exercised a profound influence on the development of military music through-out See also: Germany, and beyond
.
He was the first to arrange the symphonies and overtures of the classical masters for military instruments, and to organize those outdoor performances of concert pieces by military bands which have done so much to popularize good music in Germany and elsewhere
.
The performance arranged by him of See also: Beethoven's " See also: Battle of See also: Vittoria," in which the See also: bugle calls were given by trumpeters stationed in various parts of the garden and the cannon shots were those of real guns, created immense sensation
.
Besides the See also: great See also: work he accomplished in Germany, Wieprecht, in 1847, reorganized the military music in See also: Turkey and, in 1852, in See also: Guatemala
.
He composed military songs as well as numerous marches, and contributed frequently on his favourite subject to the Berlin musical papers
.
He died on the 4th of August 1872
.
Wieprecht was a See also: man of genial, kindly and generous nature, and was associated with many charitable See also: foundations established for the benefit of poor musicians
.
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