See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

PETER See also:

• WINTER, JOHN STRANGE
• PETER WINTER (c. 1755-1825)

WINTER (c. 1755-1825)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German dramatic composer, as See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MANNHEIM

Mannheim about 1755 . He received some instruction from the See also:

• ABT, FRANZ (1819-1885)

Abt See also:

• VOGLER, GEORG JOSEPH (1749-1814)

Vogler, but was practically self-taught . After playing in the Kapelle of the Elector Karl Theodor, at See also:

• MUNICH (Ger. Munchen)

Munich, he became in 1776 director of the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre . When See also:

• MOZART, WOLFGANG AMADEUS1 (1756–1791)

Mozart produced his Idomeneo at Munich in 1781, See also:

• WINTER, JOHN STRANGE
• WINTER, PETER (c. 1755-1825)

Winter, annoyed at his success, conceived a violent hatred for him; yet of more than See also:

• THIRTY

thirty operas written by Winter between 1778 and 182o very few were unsuccessful . His most popular See also:

• WORK

work, Das unterbrochene Opferfest, was produced in 1796 at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, where in 1797–1798 he composed See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die Pyramiden von See also:

• BABYLON (mod. Hillah)

Babylon and Das See also:

• LABYRINTH (Gr. Xa(3vpcvOos, Lat. labyrinthus)

Labyrinth, both written for him by Schickaneder in continuation of the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of Mozart's Zauberflote . He returr.ad to Munich in 1798 . Five years later he visited See also:

• LONDON

London, where he produced See also:

• CALYPSO

Calypso in 1803, Proserpina in 1804, and Zaira in 18o5, with See also:

• GREAT

great success . His last See also:

• OPERA (Italian for " work ")

opera, See also:

• SANGER, JOHN (1816–1889)

Sanger and See also:

• SCHNEIDER, JOHANN GOTTLOB (1750-1822)
• SCHNEIDER, LOUIS (1805-1878)

Schneider, was produced in 182o at Munich, where he died on the 17th of See also:

• OCTOBER

October 1825 . Besides his dramatic See also:

• WORKS

works he composed some effective sacred See also:

• MUSIC

music, including twenty-six masses .