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See also: Austrian pianist and composer, was See also: born in 1772 at See also: Salzburg, where he studied See also: music under Leopold Mozart and Michael See also: Haydn
.
After a See also: short residence at Warsaw he produced his first See also: opera, Der Hollenberg, with some success at Vienna, where it was soon followed by Das sell Me Milchmadchen and some other dramatic pieces
.
His fame now rests upon his compositions for the pianoforte, and the skill with which he is said to have met their formidable demands upon his power as an executant
.
The perfection of his technique was immeasurably enhanced by the enormous stretch of his fingers (his See also: hand could strike a thirteenth with ease); and to his wide grasp of the keyboard he owed a facility of execution which he turned to excellent account, especially in his extempore performances
.
His technique was See also: superior even to that of the See also: young See also: Beethoven, who played in See also: company with him at the See also: house of Count See also: Wetzlar, and in memory of this See also: exhibition of See also: good-humoured rivalry he dedicated to Beethoven his " Three Sonatas," Op
.
6
.
Quitting Vienna in 1798, he exhibited his skill in most of the See also: great See also: European capitals, and, after spending some years in See also: Paris, made his first appearance in See also: London on the 27th of May 1805
.
Here he enjoyed a long See also: term of popularity, crowned about 18o8 by the publication of his See also: sonata, Op
.
41, containing some variations on " See also: Life let us cherish." This, on account of its technical difficulty, he entitled Non Plus Ultra; and, in reply to the challenge, See also: Dussek's London publishers reprinted a sonata by that composer, originally called Le Retour d Paris, with the title Plus Ultra, and an ironical dedication to Non Plus Ultra
.
See also: Woelfl died in Great Marylebone Street, London, on the 21st of May 1812
.
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