SIR CHARLES WYNDHAM (1837— )
, English actor, was born in Liverpool on the 23rd of March 1837, the son of a doctor
.
He was educated abroad, at See also: - KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King's College, London and at the College of Surgeons and the See also: - PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
Peter Street Anatomical School, Dublin, but his taste for the stage was too strong for him to take up either the clerical or the medical career, suggested for him, and early in 1862 he made a first appearance in London as an actor
.
Later in the year, being in America, he volunteered during the Civil War, and became brigade surgeon in the Federal army, resigning in 1864 to appear on the stage in New York with John Wilkes Booth
.
Returning to England, he played at Manchester and- Dublin in Her Ladyship's Guardian, his own adaptation of Edward B
.
Hamley's novel Lady See also: - LEE
- LEE (or LEGIT) ROWLAND (d. 1543)
- LEE, ANN (1736–1784)
- LEE, ARTHUR (1740–1792)
- LEE, FITZHUGH (1835–1905)
- LEE, GEORGE ALEXANDER (1802-1851)
- LEE, HENRY (1756-1818)
- LEE, JAMES PRINCE (1804-1869)
- LEE, NATHANIEL (c. 1653-16g2)
- LEE, RICHARD HENRY (1732-1794)
- LEE, ROBERT EDWARD (1807–1870)
- LEE, SIDNEY (1859– )
- LEE, SOPHIA (1950-1824)
- LEE, STEPHEN DILL (1833-1908)
Lee's Widowhood
.
He reappeared in London in 1866 as Sir Arthur Lascelles in Morton's All that Glitters is not Gold, but his great success at that See also: - TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time was in F
.
C
.
Burnand's burlesque of Black-eyed Susan, as Hatchett, " with dance." This brought him to the St See also: - JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James's theatre, where he played with See also: - HENRY
- HENRY (1129-1195)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry Irving in Idalia; then with Ellen Terry in Charles Reade's Double Marriage, and Tom See also: - TAYLOR
- TAYLOR, ANN (1782-1866)
- TAYLOR, BAYARD (1825–1878)
- TAYLOR, BROOK (1685–1731)
- TAYLOR, ISAAC (1787-1865)
- TAYLOR, ISAAC (1829-1901)
- TAYLOR, JEREMY (1613-1667)
- TAYLOR, JOHN (158o-1653)
- TAYLOR, JOHN (1704-1766)
- TAYLOR, JOSEPH (c. 1586-c. 1653)
- TAYLOR, MICHAEL ANGELO (1757–1834)
- TAYLOR, NATHANIEL WILLIAM (1786-1858)
- TAYLOR, PHILIP MEADOWS (1808–1876)
- TAYLOR, ROWLAND (d. 1555)
- TAYLOR, SIR HENRY (1800-1886)
- TAYLOR, THOMAS (1758-1835)
- TAYLOR, TOM (1817-1880)
- TAYLOR, WILLIAM (1765-1836)
- TAYLOR, ZACHARY (1784-1850)
Taylor's Still Waters Run Deep
.
As Charles Surface, his best part for many years, and in a breezy three- act farce, Pink Dominoes, by James Albery, and in Brighton, an anglicized version of Saratoga by Bronson Howard (1842—1908), who married his sister, he added greatly to his popularity both at home and abroad
.
In 1876 he took control of the Criterion theatre
.
Here he produced a long succession of plays, in which he took the leading part, notably a number of old English comedies, and in such modern plays as The Liars, The Case of Rebellious Susan and others by Henry Arthur See also: - JONES
- JONES, ALFRED GILPIN (1824-1906)
- JONES, EBENEZER (182o-186o)
- JONES, ERNEST CHARLES (1819-1869)
- JONES, HENRY (1831-1899)
- JONES, HENRY ARTHUR (1851- )
- JONES, INIGO (1573-1651)
- JONES, JOHN (c. 1800-1882)
- JONES, MICHAEL (d. 1649)
- JONES, OWEN (1741-1814)
- JONES, OWEN (1809-1874)
- JONES, RICHARD (179o-1855)
- JONES, SIR ALFRED LEWIS (1845-1909)
- JONES, SIR WILLIAM (1746-1794)
- JONES, THOMAS RUPERT (1819– )
- JONES, WILLIAM (1726-1800)
Jones; and he became famous for his acting in David Garlick
.
In 1899 he opened his new theatre, called Wyndham's
.
In 1902 he wasknighted
.
From 1885 onwards his leading actress was Miss Mary Moore (Mrs Albery), who became his partner in the proprietorship of the Criterion and Wyndham's theatres, and of his New Theatre, opened in 1903; and her delightful acting in comedy made their long association memorable on the London stage
.
End of Article: SIR CHARLES WYNDHAM (1837— )
|