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XENOPHON , See also: Greek historian and philosophical essayist, the son of Gryllus, was See also: born at Athens about 430 B.C.' He belonged to an equestrian See also: family of the deme of Erchia
.
It may be inferred from passages in the Hellenica that he fought at Arginusae (406), and that he was See also: present at the return of See also: Alcibiades (408), the trial of the Generals and the overthrow of the See also: Thirty
.
Early in See also: life he came under the influence of See also: Socrates, but an active life had more attraction for him
.
In 401, being invited by his friend Proxenus to join the expedition of the younger Cyrus against his See also: brother, See also: Artaxerxes II. of See also: Persia, he at once accepted the offer
.
It held out the prospect of riches and honour, while he was little likely to find favour in democratic Athens, where the knights were regarded with suspicion as having supported the Thirty
.
At the See also: suggestion of Socrates, Xenophon went to See also: Delphi to consult the See also: oracle; but his mind was already made up, and he at once proceeded to See also: Sardis, the place of See also: rendezvous
.
Of the expedition itself he has given a full and detailed account in his See also: Anabasis, or the " Up-Country See also: March." After the
See also: battle of Cunaxa (401), in which Cyrus lost his life, the See also: officers in command of the Greeks were treacherously murdered by the Persian satrap See also: Tissaphernes, with whom they were negotiating an armistice with a view to a safe return
.
The army was now in the See also: heart of an unknown country, more than a thousand See also: miles from home and in the presence of a troublesome enemy
.
It was decided to march northwards up the Tigris valley and make for the shores of the Euxine, on which there were several Greek colonies
.
Xenophon became the leading spirit of the army; he was elected an officer, and he it was who mainly directed the retreat
.
See also: Part of the way See also: lay through the wilds of See also: Kurdistan, where they had to encounter the harassing guerrilla attacks of savage See also: mountain tribes, and part through the See also: highlands of Armenia and See also: Georgia
.
After a five mouths' march they reached Trapezus [See also: Trebizond] on the Euxine (See also: February 400), where a tendency to demoralization began to show itself, and even Xenophon almost lost his control over the soldiery
.
At Cotyora he aspired to found a new colony; but the idea, not being unanimously accepted, was abandoned, and ultimately Xenophon with his Greeks arrived at Chrysopolis [See also: Scutari] on the Bosporus, opposite See also: Byzantium
.
After a brief See also: period of service under a Thracian chief, Seuthes, they were finally incorporated in a Lacedaemonian army which
I As the description of the Ionian See also: campaign of Thrasyllus in 410 (Hellenica, i
.
2) is clearly derived from Xenophon's own reminiscences, he must have taken part in this campaign, and cannot therefore have been less than twenty years of age at the See also: time
.
See also: bad crossed over into See also: Asia to wage war against the Persian satraps Tissaphernes and See also: Pharnabazus
.
Xenophon, who accompanied them, captured a wealthy Persian nobleman, with his family, near See also: Pergamum, and the ransom paid for his recovery secured Xenophon a competency for life
.
On his return to See also: Greece Xenophon served under Agesilaus, See also: king of
See also: Sparta, at that time the chief power in the Greek See also: world
.
With his native Athens and its general policy and institutions he was not in sympathy
.
At Coroneia (394) he fought with the Spartans against the Athenians and Thebans, for which his See also: fellow-citizens decreed his banishment
.
The Spartans provided a home for him at Scillus in Elis, about two miles from See also: Olympia; there he settled down to indulge his tastes for sport and literature
.
After Sparta's crushing defeat at See also: Leuctra (371), Xenophon was driven from his home by the See also: people of Elis
.
Meantime Sparta and Athens had become See also: allies, and the Athenians repealed the decree which had condemned him to exile
.
There is, however, no evidence that he ever returned to his native city
.
According to See also: Diogenes Laertius, he made his home at See also: Corinth
.
The See also: year of his See also: death is not known; all that can be said is that it was later than 355, the date of his See also: work on the Revenues of Athens
.
The Anabasis (composed at Scillus between 379 and 371) is a work of singular See also: interest, and is brightly and pleasantly written
.
Xenophon, like Caesar, tells the See also: story in the third See also: person, and there is a straightforward manliness about the See also: style, with a distinct flavour of a cheerful lightheartedness, which at once enlists our sympathies
.
His description of places and of relative distances is very minute and painstaking
.
The researches of See also: modern travellers attest his
feneral accuracy
.
It is expressly stated by Plutarch and Diogenes arrtius that the Anabasis was the work of Xenophon, and the evidence from style is conclusive
.
The allusion (Hellenica,' iii
.
1, 2) to :Themistogenes of Syracuse as the author shows that Xenophon published it under an assumed name
.
The Cyropaedia, a See also: political and philosophical See also: romance, which describes the boyhood and training of Cyrus, hardly answers to its name, being for the most part an account of the beginnings of the Persian See also: empire and of the victorious career of Cyrus its founder
.
The Cyropaedia contains in fact the author's own ideas of training and See also: education, as derived conjointly from the teachings of Socrates and his favourite Spartan institutions
.
It was said to have been written in opposition to the Republic of See also: Plato
.
A distinct moral purpose, to which literal truth is sacrificed, runs through the work . For instance, Cyrus is represented as dying peacefully in his See also: bed, whereas, according to See also: Herodotus, he See also: fell in a campaign against the See also: Massagetae
.
The Ilellenica written at Corinth, after 362, is the only contemporary account of the period covered by it (411-362) that has come down to us
.
It consists of two distinct parts; books i. and ii., which are intended to See also: form a continuation of the work of See also: Thucydides, and bring the See also: history down to the fall of the Thirty, and books iii.-vii., the Heltenica proper, which See also: deal with the period from 401 to 362, and give the history of the Spartan and Theban hegemonies, down to the death of See also: Epaminondas
.
There is, however, no ground for the view that these two parts were written and published as See also: separate See also: works
.
There is probably no See also: justification for the See also: charge of deliberate falsification
.
It must be admitted, however, that he had strong political prejudices, and that these prejudices have influenced his narrative
.
He was a See also: partisan of the reactionary See also: movement which triumphed 'after the fall of Athens; Sparta is his ideal, and Agesilaus his See also: hero
.
At the same time, he was a believer in a divine overruling See also: providence
.
He is compelled, therefore, to see in the fall of Sparta the punishment inflicted by heaven on the treacherous policy which had prompted the seizure of the Cadmea and the See also: raid of Sphodrias
.
Hardly less serious defects than his political See also: bias are his omissions, his want of the sense of proportion and his failure to grasp the meaning of See also: historical See also: criticism
.
The most that can be said in his favour is that as a witness he is at once honest and well-informed
.
For this period of Greek history he is, at any See also: rate, an indispensable witness
.
The Memorabilia, or " Recollections of Socrates," in four books, was written to defend Socrates against the charges of impiety and corrupting the youth, repeated after his death by the sophist See also: Polycrates
.
The work is not a See also: literary masterpiece; it lacks coherence and unify, and the picture it gives of Socrates fails to do him See also: justice
.
Still, as far as it goes, it no doubt faithfully describes the philosopher's manner of life and style of conversation
.
It was the moral and See also: practical See also: side of Socrates's teaching which most interested Xenophon ; into his abstruse metaphysical speculations he seems to have made no attempt to enter: for these indeed he had neither taste nor See also: genius
.
Moving within a limited range of ideas, he doubtless gives us " considerably less than the real Socrates, while Plato gives us something more." It is probable that the work in its present form is an abridgment
.
Xenophon has See also: left several minor works, some of which are very interesting and give an insight into the home life of the Greeks
.
The ()See also: economics (to some extent a continuation of the Memorabilia, and sometimes regarded as the fifth See also: book of the same) deals with the management of the See also: house and of the See also: farm, and presents a pleasant and amusing picture of the Greek wife and of her home duties
.
There are some See also: good practical remarks on matrimony and on the respective duties of See also: husband and wife
.
The See also: treatise, which is in the form of a See also: dialogue between Socrates and a certain Ischomachus, was translated into Latin by See also: Cicero
.
In the essays on See also: horsemanship (Hippike) and hunting (Cynegeticus), Xenophon deals with matters of which he had a thorough practical knowledge
.
In the first he gives rules how to choose a See also: horse, and then tells how it is to be groomed and ridden and generally managed
.
The Cynegeticus deals chiefly with the See also: hare, though the author speaks also of boar-hunting and describes the hounds, tells how they are to be bred and trained, and gives specimens of suitable names for them
.
On all this he writes with the zest of an enthusiastic sportsman, and he observes that those nations whose upper classes have a taste for See also: field-
See also: sports will be most likely to be successful in war
.
Both See also: treatises may still be read with interest by the modern reader
.
The
.
Hipparchicus explains the duties of a cavalry officer; it is not, according to our ideas, a very scientific treatise, showing that the See also: art of war was but very imperfectly See also: developed and that the military operations of the Greeks were on a somewhat See also: petty See also: scale
.
He dwells at some length on the moral qualities which go to the making of a good cavalry officer, and hints very plainly that there must be strict See also: attention to religious duties
.
The Agesilaus is a eulogy of the Spartan king, who had two See also: special merits in Xenophon's eyes: he was a rigid disciplinarian, and he was particularly attentive to all religious observances
.
We have a See also: summary of his virtues rather than a good and striking picture of the See also: man himself
.
The See also: Hiero works out the See also: line of thought indicated in the story of the Sword of See also: Damocles
.
It is a protest against the notion that the " See also: tyrant " is a man to be envied, as having more abundant means of happiness than a private person
.
This is one of the most pleasing of his minor works; it is cast into the form of a dialogue between Hiero, tyrant of Syracuse, and the lyric poet See also: Simonides
.
The Symposium, or Banquet," to some extent the complement of the Memorabilia, is a brilliant little dialogue in which Socrates is the prominent figure
.
He is represented as " improving the occasion," which is that of a lively Athenian supper-party, at which there is much drinking, with See also: flute-playing, and a dancing-girl from Syracuse, who amuses the guests with the feats of a professional conjuror
.
Socrates's table-talk runs through a variety of topics, and winds up with a philosophical disquisition on the superiority of true heavenly love to its earthly or sensual counterfeit, and with an earnest exhortation to one of the party, who had just won a victory in the public See also: games, to See also: lead a See also: noble life and do his duty to his country
.
There are also two See also: short essays, attributed to him, on the political constitution of Sparta and Athens, written with a decided bias in favour of the former, which he praises without attempting to criticize
.
Sparta seems to have presented to Xenophon the best conceivable mixture of See also: monarchy and aristocracy
.
The second is certainly not by Xenophon, but was probably written by a member of the oligarchical party shortly after the beginning of the Peloponnesian War
.
In the essay on the Revenues of Athens (written in 355) he offers suggestions for making Athens less dependent on tribute received from its allies
.
Above all, he would have Athens use its influence for the maintenance of See also: peace in the Greek world and for the See also: settlement of questions by See also: diplomacy, the See also: temple at Delphi being for this purpose an See also: independent centre and supplying a divine sanction
.
The See also: Apology, Socrates's defence before his See also: judges, is rather a feeble production, and in the general opinion of modern critics is not a genuine work of Xenophon, but belongs to a much later period
.
Xenophon was a man of See also: great See also: personal beauty and considerable intellectual gifts; but he was of too practical a nature to take an interest in abstruse philosophical See also: speculation
.
His dislike of the democracy of Athens induced such lack of patriotism that he even fought on the side of Sparta against his own country
.
In religious matters he was narrow minded, a believer in the efficacy of sacrifice and in the prophetic art
.
His plain and See also: simple style, which at times becomes wearisome, was greatly admired and procured him many imitators
.
The See also: editions of Xenophon's works, both See also: complete and of separate portions, are very numerous, especially of the Anabasis; only a selection can be given here
.
Editio princes (1516, incomplete); J
.
G
.
Schneider (1790-1849) ; G
.
Sauppe ((1865-66) ; L
.
See also: Dindorf (1875); E
.
C
.
Marchant (1900- , in the See also: Clarendon See also: Press Scriptorum Classicorum Bibliotheca)
.
ANABAS1S: R
.
Kuhner (1852); J
.
F
.
Macmichael (1883); F
.
Vollbrecht (1887); A . Pretor (1888); C . W . Kruger and W . Pokel (1888) ; W.W .See also: Goodwin and J
.
W
.
See also: White (i.-iv., 1894)
.
CYROPAEDIA: G
.
M
.
Gorham (187o); L
.
Breitenbach (1875) ; A
.
Goodwin (vi.-viii., r88o) ; F . Hertlein and W . Nitsche (1886); H . A . Holden (1887-9o) . HELLENICA: L . Breitenbach (1874-84); R . Buchsenschiitz (188o-91) ; J . I . Manatt (i.-iv., 1888); L . D . Dowdall (i., 11., 1890) .MEMORABILIA: P . See also: Frost (1867); A
.
R
.
Cliler (188o); R
.
Kuhner (1882); L
.
Breitenbach (1889); J
.
See also: Marshall (189o)
.
OEcoxoMrcus: H
.
A
.
Holden (1895); C
.
Graux and A
.
See also: Jacob (1886)
.
HIERO: H . A . Holden (1888) . AGESILAUS: R . W . See also: Taylor (188o); O
.
Giithling (1888)
.
See also: RESP
.
LACEDAEM.: G
.
Pierleoni (1905)
.
RESP
.
ATHENIENSIUM: A
.
Kirchhoff (1874); E . Belot (188o); H . See also: Muller and Striibing (188o)
.
CYNEGETICUS: G
.
Pierleoni (1902)
.
HIPPIKi: Tommasini (1902)
.
REDITUS ATHEN.: A
.
Zurborg (1876)
.
SCRIPTA MINORA: L
.
Dindorf (1888)
.
There is a good
See also: English See also: translation of the complete works by H
.
G
.
Dakyns (189o-94), and of the Art of Horsemanship by M . H . See also: Morgan (U.S.A., 1890)
.
Of general works bearing on the subject may be mentioned: G
.
Sauppe, Lexilogus Xenophonteus (1869); A
.
Croiset, X., son caractere et son talent (1873); Roquette, De Xenophontis Vita (1884); I
.
Hartmann, Analecta Xenophontea (1887) and Analecta Xenophontea Nova (1889); C
.
See also: Joel, Der echte and der Xenophonteische Socrates (1892); See also: Lange, X., sein Leben, See also: seine Geistesart and seine Werke (1900)
.
See also GREECE: See also: Ancient History, § " Authorities," and works quoted; J
.
B
.
See also: Bury, Ancient Greek Historians (1909); See also: Mare's History of Greek Literature and See also: Grant's monograph in Black-
See also: wood's Ancient See also: Classics for English Readers may be read with See also: advantage
.
See also: Bibliographies in Engelmann-Preuss, Bibliotheca Scriptoruni Classicorum (i., 188o) and in C
.
See also: Bursian's Jahresbericht
(c., 1900) by E
.
See also: Richter
.
(E
.
M
.
W.; J
.
H
.
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