See also:

• EUGENE

EUGENE See also:

• EUGENE YSAYE (1858— )

YSAYE (1858— )  , Belgian violinist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LIEGE
• LIEGE (Walloon, Lige, Flemish, Luik, Ger. Lilltich)

Liege, where he studied with his See also:

• FATHER

father and under R . Massart, at the See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire, until he was fifteen; he had some lessons from See also:

• WIENIAWSKI, HENRI (1835—1880)

Wieniawski, and later from Vieuxtemps . In 1879 See also:

• YSAYE, EUGENE (1858— )

Ysaye played in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany, and next See also:

• YEAR

year acted as See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader of Bilse's See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin; he appeared in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1883, and for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in See also:

• LONDON

London at a Philharmonic See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert in 1889 . He was See also:

• VIOLIN

violin See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at the See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels Conservatoire from 1886 to 1898, and instituted the celebrated orchestral concerts of which he was manager and conductor . Ysaye first appeared as conductor before a London See also:

• AUDIENCE (from Lat. audire, to hear)

audience in 1900, and in 1907 conducted Fidelio at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden . The See also:

• SONATA (From Ital. sonare, to sound)

sonata concerts in which he played with Raoul Pugno (b . 1852), the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French pianist, became very popular in Paris and Brussels, and were notable features of several London concert seasons . As a violinist he ranks with the finest masters of the See also:

• INSTRUMENT (Lat. instrumentum, from insincere, to build up, furnish, arrange, prepare)

instrument, with extraordinary See also:

• TEMPERA (the Italian term), or DISTEMPER

tempera-See also:

• MENTAL

mental See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power as an interpreter .