Other Free Encyclopedias » Online Encyclopedia » Encyclopedia - Featured Articles » Contributed Topics from A-E

Architecture of the Fifth and Sixth Dynasties - STANDARDIZATION AND NEW LOCATIONS., THE PYRAMID COMPLEX OF USERKAF AT SAQQARA.

temple dynasty king sun

During the Fifth and Sixth Dynasties, architects followed a standard plan for the royal pyramid complex. The experimentation of the examining Fourth-dynasty pyramid complexes came to an end. Kings also chose a new site called Abu Sir for their complexes after Userkaf initially built his complex at Saqqara, the site of Djoser’s Third-dynasty complex. Finally, kings of this era drastically reduced resources directed to pyramid building from the Fourth Dynasty. Instead, they diverted some resources to sun temples dedicated to the god, Re. The meaning of these trends must be inferred without much help from other kinds of evidence. In general, Egyptologists believe that kings now directed more resources toward temples for the god Re and away from their own pyramid complexes because the kings themselves had lost status in their society in comparison with Fourth-dynasty kings.

THE PYRAMID COMPLEX OF USERKAF AT SAQQARA.

Userkaf (2500–2485 B.C.E. ), the first king of the Fifth Dynasty, built his pyramid complex at Saqqara, aligning it with the northeast corner of Djoser’s complex built in the Third Dynasty (2675–2625 B.C.E. ). The 49-meter (161-foot) tall pyramid with base sides of 73.3 meters (240 feet) was smaller than Djoser’s step pyramid, being eleven meters (35.5 feet) shorter in height and 48 meters (157 feet) shorter on a side. In addition to being smaller, Userkaf’s pyramid was not as well constructed. Workers laid the core haphazardly before casing it in limestone, and the core subsequently collapsed when workers removed the casing for other purposes in later times. Inside, the pyramid has a north entrance leading to a descending passage 18.5 meters (61 feet) long. This passage led to an antechamber 4.14 meters long by 3.12 meters (13.5 by 10.2 feet) wide. Another horizontal passage exiting from the right side led to the burial chamber, 7.87 meters long and 3.13 meters wide (25.8 by 10.2 feet). A passage to the left led to a storage area. The arrangement of the buildings associated with Userkaf’s pyramid resembles Djoser’s Third-dynasty pyramid complex much more than the complex at Giza built only two generations previously. The pyramid temple is located on the south side of the pyramid. A small offering chapel remains on the east side of the pyramid, the side reserved for the pyramid temple in the Fourth Dynasty at Giza. The pyramid temple contains niches for the statue cult, but they are oriented to the south wall of the temple, away from the pyramid rather than toward it as had been the case in Giza. The subsidiary pyramid is located at the southwest corner of the main pyramid rather than on the east or southeast as at Giza. At least two interpretations have been offered for this change in plan. The Egyptian archaeologist Nabil Swelim observed that Userkaf’s pyramid would not fit at the northeast corner of Djoser’s complex unless the pyramid temple was moved to the south side. He regards this layout as the result of practical problems. The alternative explanation connects the role that the sun-god Re played in the beliefs of the kings of the Fifth Dynasty with this change in plan. According to this explanation, Re became much more important to the Fifth-dynasty kings. This importance can be deduced from their efforts to build the first temples for this god and from some much later literary evidence linking Userkaf and his successors with Re. Thus the pyramid temple’s placement at the south side of the pyramid ensured that it had an unobstructed view of the sun. The German archaeologist Dieter Arnold has further observed, however, that beginning with the time of Djoser and then Sneferu, Old Kingdom kings alternated between building a temple complex oriented north/south (the Djoser type) and complexes oriented east/west (the Meidum type). Without further evidence it will never be clear which of these explanations is closer to the truth. Another important point to consider is the relationship between the kings of the Fourth and Fifth Dynasties. The kings of the Fifth Dynasty seem to represent a new family in that they were not direct descendents of Shepseskaf, the last king of the Fourth Dynasty. In Papyrus Westcar , a story written nearly 900 years after these events, the writer claims that Userkaf’s father was the sun-god, Re, not a human. If this papyrus reflects an older tradition original to the Fifth Dynasty, perhaps Userkaf built his pyramid in Saqqara to associate himself with the earlier king, Djoser, whose pyramid complex was nearby. This tradition also helps explain Userkaf’s sun temple at Abu Sir.

USERKAF’S SUN TEMPLE AT ABU SIR.

Old Kingdom documents mention six sun temples dating to each of the six kings of the Fifth Dynasty. The oldest of the temples is Userkaf’s sun temple at Abu Sir. The only other one to be discovered and excavated is the sun temple built by Nyuserre, the fifth king of the dynasty (ruled 2455–2425 B.C.E. ). Userkaf’s sun temple represents the first known effort of an Egyptian king to build a temple other than his own funerary monument. Userkaf built
his sun temple in Abu Sir, a site that would later be utilized for pyramid complexes and sun temples by other Fifth-dynasty kings. Userkaf’s sun temple also represents the first clear example of a temple built and then rebuilt by subsequent kings, a common theme in the later architectural history of Egypt. Both Neferirkare, the third king of the dynasty, and Nyuserre added to the temple. The name of this temple, Nekhen Re (The Stronghold of Re), associates it with early temple enclosures at the town called Nekhen (Stronghold) in Middle Egypt. The excavator, Herbert Ricke, believed that the first building stage of the temple contained the same key elements as the earlier Stronghold: a rectangular enclosure and a central mound of sand. Neferirkare added an obelisk with altars in front of it in the second building phase. Thus this sun temple contained the first-known example of this typically Egyptian form. Phases three and four, built by Nyuserre, included five benches. Ricke thought the benches were platforms where priests placed offerings to the god. He discovered a stele inside one of the benches inscribed with the name of the “Great Phyle,” one of the five groups of priests and workers responsible for work at the temple on a rotating basis. It is possible that the five benches represented each of these five groups, though archaeologists found no other steles. A causeway linked the sun temple with a valley temple. Nyuserre may have constructed the valley temple during the fourth phase of building, or he may have rebuilt an original building of Userkaf’s complex.

PYRAMIDS AT ABU SIR.

The Fifth-dynasty kings—Sahure (2485–2472 B.C.E. ), Neferirkare Kakai (2472–2462 B.C.E. ), Shepseskare (2462–2455 B.C.E. ), Reneferef (2462–2455 B.C.E. ), and Nyuserre (2455–2425 B.C.E. )—built their pyramids at Abu Sir, just north of Saqqara. Though the first king of the Fifth Dynasty, Userkaf, built his pyramid complex in Saqqara, he initiated construction at Abu Sir by building his sun temple on this new site. Sahure, second king of Dynasty 5 who ruled 2485–2472 B.C.E. , built a pyramid with base sides 78.75 meters (258 feet) long and 47 meters (154 feet) high. It was thus 151.25 meters (498 feet) shorter on a side and 99 meters (327 feet) lower than Khufu’s Great Pyramid at Giza. Instead of a gigantic pyramid, Sahure concentrated his efforts on decorating the complex with relief sculpture. The interior of the pyramid was also much simpler than the complicated system of passages that builders provided for the pyramids of the Fourth Dynasty. An entrance on the north side led to a 1.27 by 1.87-meter (4.1 by 6.1-foot) passage that ran on a level plane for approximately 162.4 meters (533 feet). The amount of rubble still in the passage makes precise measurements impossible. The passage led to a burial chamber measuring 12.6 meters (41.3 feet) by 3.15 meters (10.3 feet). This simple T-shaped interior resembles
the interior of a nobleman’s tomb, suggesting that Sahure regarded himself more like other high officials than did the kings of the Fourth Dynasty who claimed to be gods. The architect’s plan for Sahure’s pyramid complex became the standard for nine of the known complexes of the following Fifth and Sixth Dynasties. Arnold suggested that this phenomenon resulted from the work of a series of architects who had inherited the office of King’s Architect for many generations, though it is just as likely that this model served the needs of a long line of kings while they experimented with the sun temples, a new area of focus.

THE STANDARD PYRAMID TEMPLE.

Architects positioned the standard pyramid temple on the east side of the pyramid, and included a vaulted entrance hall decorated with relief sculpture. This covered hall led to an open courtyard allowing the architect to exploit the contrast between the darkness of the hall and the bright sunlight of the court. This contrast, alternating light and darkness, was a basic tool of all Egyptian architecture. Relief sculpture also decorated the walls of the courtyard depicting the king protecting Egypt from enemies. Another hall led to a room decorated with scenes from the Jubilee Festival ( sed ). The relief there showed the gods of Upper and Lower Egypt greeting the king and confirming his right to rule the country. This room offers evidence that the Jubilee Festival depicted in it continued at the king’s burial complex as it had been known beginning with the Jubilee Festival ( sed ) courtyard in the funerary complex of Djoser in the Third Dynasty (2675–2625 B.C.E. ). The rear of the pyramid temple held five niches for the five statues of the king and an offering place. The five statues of the king probably represented each of the five standard names that a king took at his coronation. The pyramid temple’s plan thus reflects an Egyptian’s idea of the proper evidence that a king had ruled legitimately in the eyes of the gods and also a listing of his functions through the use of sculptural relief.

THE STANDARD CAUSEWAY AND VALLEY TEMPLE.

The standard causeway connected the upper pyramid temple and the lower valley temple. In the Fifth and Sixth Dynasties, remains of relief sculpture lined the walls of the causeway. Artists represented two basic subjects. First they showed the king protecting the whole complex from Egypt’s human enemies and taming nature. Second, they showed humans on earth supplying the complex with food from all over Egypt. The architect used three different stones in the valley temple, probably with color symbolism in mind. The floor was black basalt, referring to the black mud of Egypt’s fertile valley. The dado (the lower part of the wall) was red granite, a reference either to the surrounding desert or a punning allusion to holiness, since the Egyptian words for “red” and “holy” sounded alike. Finally, the upper walls were white Tura limestone, decorated with a carved and painted relief depicting the king defeating his enemies. The building served as an entrance to the whole complex and stood as a statement of the basic order of the Egyptian world.

USES OF THE PYRAMID COMPLEX.

The pyramid complexes were primarily tombs for the kings. Yet Egyptologists have long abandoned the German Egyptologist Herbert Ricke’s theory that the buildings of the complex were solely for the funeral. The discovery of the Abu Sir Papyri , the records of Neferirkare’s pyramid complex subsequent to the king’s death, provides evidence of the numerous activities that continued in the complex after the burial. The Pyramid Texts found inside the pyramids beginning with the reign of Unas (2371–2350 B.C.E. ) also inform us about the rituals which continued in the pyramid complex, in the Egyptian ideal, for eternity. There were at least two offering services for the king every day—one in the morning and one in the evening. Other rituals centered on the five statues of the king found in the five niches of the pyramid temple. At least three of these statues depicted the king as the god Osiris, king of the dead. The ritual included feeding, cleaning, and clothing the deceased king. Priests then received the food used in the ritual as part of their salary. When they were not attending to their deceased king, priests and administrators engaged in other tasks, including astronomical observations to determine the proper day for celebrating festivals and the administrative tasks associated with delivering, storing, and disbursing large amounts of commodities that arrived at the complex on a regular basis. These goods included food and clothing used during the rituals. The pyramid complexes of the Old Kingdom were probably very busy places rather than just tombs. Some of the complexes operated for much longer periods than others. The cult of Khufu at the Great Pyramid, for example, continued with its own priests as late as the Twenty-sixth Dynasty (664–525 B.C.E. ) over 2,000 years after the building of the complex.

A RITUAL SPEECH TO UNITE WITH THE SUN GOD

INTRODUCTION : The Pyramid Texts were carved inside the sarcophagus chambers of the pyramids beginning in the reign of King Unas (2371–2350 B.C.E. ). These ritual speeches, according to Egyptian religious belief, helped the deceased king unify with the sun god, his father. In this example the king unites with Re-Atum, a form of the sun-god, Re, merged with the creator god, Atum.

Re-Atum, this Unas comes to you,
A spirit indestructible
Who lays claim to the place of the four pillars!
Your son comes to you, this Unas comes to you,
May you cross the sky united in the dark,
May you rise in lightland, the place in which you shine!
Seth, Nephthys, go proclaim to Upper Egypt’s gods
And their spirits:
“This Unas comes, a spirit indestructible,
If he wishes you to die, you will die,
If he wishes you to live, you will live!”

SOURCE : “The king joins the sun god,” in The Old and Middle Kingdoms. Vol. 1 of Ancient Egyptian Literature . Trans. Miriam Lichtheim (Berkeley: University of California Press, 1973): 30–31.

EVENTS AND TRENDS .

Architecture allows Egyptologists to follow general trends in the history of the Fifth and Sixth Dynasties. The rise of the sun-god Re’s importance seems to co-exist with a lowered status of the king himself, compared to Fourth-dynasty kings. This observation depends on the fact that royal pyramids of
the Fifth and Sixth Dynasties were so much smaller than the Fourth-dynasty pyramids. Khufu’s Great Pyramid required ten times more stone to build than Nefirkare’s pyramid, built in the Fifth Dynasty. Considering that Fifth-dynasty building methods were also more economical because they used some fill rather than being solid stone as the Fourth-dynasty pyramids were, it is even more striking that Fifth- and Sixth-dynasty kings spent fewer resources on themselves than Fourth-dynasty kings had done. Because Egyptologists lack other records to supplement this picture, the actual events that led to this change cannot be examined. It is not clear, for example, whether there were fewer resources to spend on the king because of wars or famines, or whether the change was solely due to an altered ideology. These questions await further evidence before real answers can be offered.

SOURCES

Dieter Arnold, “Royal Cult Complexes of the Old and Middle Kingdoms,” Temples of Ancient Egypt , edited by Byron E. Shafer (Ithica, N.Y.: Cornell University Press, 1997): 31–85.

Mark Lehner, The Complete Pyramids (London: Thames and Hudson, 1997).

Rainer Stadelmann, Die Ägyptischen Pyramiden: vom Ziegelbau zum Weltwunder (Mainz am Rhein, Germany: P. von Zabern, 1985).

Miroslav Verner, Die Pyramiden (Reinbek bei Hamburg, Germany: Rowohlt Verlag, 1998).

Archives, Public Records, and Records Management - Importance of Archival Materials and Archival Institutions, Archival Management, Appraisal, Accessioning, Arrangement and Description, Preservation, Access [next] [back] Architecture of Commercial News Systems

User Comments

Your email address will be altered so spam harvesting bots can't read it easily.
Hide my email completely instead?

Cancel or