At Damascus, Saul’s sight was restored by the disciple Ananias, and Saul was baptized (these subjects occur in Carolingian and later art). Although he is still named “Saul” in the book of Acts (until 13:9), traditionally Paul became his Christian name at this point, reflecting his conversion and new life as a now ardent preacher and supporter of Christians.
Paul’s later dramatic escape from Damascus (fleeing from Jews who intended to kill him) by being lowered down outside the city wall in a basket is also illustrated in art from the Carolingian period onward (Acts 9:23-25). His subsequent journeys (to Jerusalem, Caesarea, Syria, Cilicia, and Antioch) and missionary travels alone or with Saint Barnabus (to Cyprus, Lystra, Philippi, Athens, and Ephesus) provided materials for several scenes, for example, Paul *preaching and performing various *miracles of healing, as well as the arrest, imprisonment, and scourging of Paul at Philippi. When he returned to Jerusalem, Paul again met with violent Jewish opposition, was imprisoned by the Roman authorities for several years, questioned by King *Herod Agrippa II, and allowed to go to Rome to stand trial. The boat was shipwrecked off the coast of Malta, and Paul’s miraculous survival of a bite from a poisonous viper (he shook the snake off into the fire, Acts 28:1-7) appears in fifth-century ivories, Romanesque frescoes, Gothic stained glass, and later manuscript illustration.
Reaching Rome, Paul remained in loosely guarded captivity, and the subsequent chronology of his life and *martyrdom is primarily provided by apocryphal sources: the second-century Acts of Paul (including the Acts of Paul and *Thecla and the Martyrdom of Paul ) and the fourth-century Apocalypse of Paul . The latter text was widely popular in the early Christian and medieval periods; the detailed visions of *heaven and its inhabitants were influential on illustrations of the *Last Judgment and on authors such as *Dante. The decapitation of Paul in Rome, sometimes shown with the *crucifixion of Saint *Peter, which traditionally took place on the same day, features largely in Romanesque and Gothic hagiographic illustration, although the scene of his arrest appears in the early Christian period.
Paul’s chief iconographic attribute is the sword of his execution. He is also generally recognizable by his physical appearance (detailed in the Acts of Paul and Thecla ) as a short, bald or balding man, sometimes with heavy eyebrows, and bearded. He is frequently depicted holding books or scrolls, indicating his authorship of the majority of Epistles contained in the New Testament.
For other scenes including Paul.
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